I would hope this show wouldn't beat out Fun Home for the Tony. It's fun but derivative of past comedy outings, whereas I think Fun Home, like Next to Normal, treads some daring new territory and succeeds in spades. But I guess N2N didn't win either.
It should beat The Last Ship. What else will be competing this year?
I think Honeymoon will get a nod for sure and probably win. I'm not sure It Shoulda Been You will do very well. Dr. Z. Is not coming with great word of mouth. Finding Neverland didn't garner very good reviews.
Fun Home should've come last season. If i was a producer I'd pull the money out.
"Dr. Z. Is not coming with great word of mouth. Finding Neverland didn't garner very good reviews."
Please keep in mind that Aladdin didn't get very good reviews while it was out-of-town in Toronto, but the creative team kept working on it every single day until opening night on Broadway to some surprisingly pretty good reviews and is still earning over $1,000,0000 a week (as well as several award nominations for Best Musical)!
So I wouldn't jump to conclusion just yet, we'll have to wait and see how much the creative teams for both shows will be working on them.
Updated On: 11/19/14 at 09:48 AM
They may not even get a nod let alone a win. Last season they'd have swept. The more commercially viable Honeymoon., written by Mr. Brown, who's never had a best musical win, coupled with Finding Neverland and An American in Paris would make me rethink it.
The difference between Finding Neverland and Aladdin is Disney. Disney could put **** on a stick - and usually does -and people buy tickets like it is the second coming. Trust me the two shows are for very different audiences.
I don't think "Honeymoon In Vegas" is as commercial as some may think. The advance sale seems pretty bleak. If i posted the images correctly, next week has about half the house sold if not a little less and next month has maybe a quarter and January has not much at all. I mean, it may pick up with word of mouth / reviews but still, at this point I wouldn't say its a sure fire commercial hit.
I think Fun Home will be fine. Remember, N2N was up against Billy Elliot, which, unlike a lot of Disney shows, was both an artistic and commercial success. I thought it was such a smart, clever show. Next to Normal is great too, but I can see why Billy Elliot won. Although, both seemed to be a tough sell on the road.
I think Fun Home is a bit tougher of a sell than n2n was. And that year wasn't that tough-Billy was the only major competition really. I do think it's much more reliant on winning the big prize (it shouldn't be such but it matters). Honeymoon could be this year's Gentleman's Guide which weathers the winter to win. And that's showbiz. (I thought Billy was fine.) And all the new shows will pick up the pre-Tony steam...sooo that's a big disadvantage (and why I think they should've already done it).
Regardless, I think this might take it for some very real reasons, including marketability.
Also keep in mind that Tony voters often vote for whatever show it was they enjoyed the most.
The Music Man>West Side Story Two Gentleman of Verona>Follies La Cage aux Folles>Sunday in the Park with George City of Angels>Grand Hotel The Will Rogers Follies>Everything Else Thoroughly Modern Millie>Urinetown Avenue Q>Wicked Spamalot>The Light in the Piazza Memphis>Fela! Kinky Boots>Matilda A Gentleman's Guide to Love & Murder>Everything Else
Not that I think Fun Home is a terribly easy sell, but unlike next to normal it already has heaps of critical acclaim, was shortlisted for a Pulitzer, and is based on an acclaimed and best selling graphic novel. Regardless, one preview of Honeymoon in Vegas means nothing whatsoever for its chances.
Happy to hear good news about this- I'm not always crazy about JRB, but it would be terrific to see him have a big fat hit. I hope I get to see it!
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
"They may not even get a nod let alone a win. Last season they'd have swept. The more commercially viable Honeymoon., written by Mr. Brown, who's never had a best musical win, coupled with Finding Neverland and An American in Paris would make me rethink it."
You can't be serious.
First of all, Fun Home won almost every award that it was in contention for last year Off-Broadway, it got absolute raves from nearly every reviewer, and it's opening on Broadway just days before the cut-off date for nominations.
If this show were to, say, open in November and struggle until April, it would STILL get a nod for Best Musical, because it's one of the best musicals of the last decade.
But because it's opening days before the cut-off, and it's likely to receive raves when it opens, it will be near shoe-in for a nom. If it sells even relatively well, which it did at The Public (it extended like 4 times), it will have a great chance at winning Best Musical.
To assume that just because it opened last year and won awards last season that it won't be in contention for the Tonys this year is silly.
Ahem. I love the show but I'm a realist. People's memories get foggy and momentum is gained by other shows. I could see Honeymoon, An American in Paris, Finding Neverland, The Visit, just to name a few, gain the traction to win.
That's showbiz. (PS-n2n got raves-Brantley said it SHOULD have won-and it probably should have.) It's about coming out happy a lot with the Tony voters.
Overture I Love Betsy Never Get Married Anywhere But Here When You Say Vegas Out of the Sun The Invitation Forever Starts Tonight Betsy's Getting Married The Game Come to an Agreement Do Something Entr'acte Hawaii / Waiting for You Everyday is Happy in Hawaii Friki-Friki You Made the Wait Worthwhile A Little Luck The Garden of Disappointed Mothers Isn't That Enough? Airport Song Higher Love I've Been Thinking Elvii in Flight Honeymoon in Vegas Finale
"Contentment, it seems, simply happens. It appears accompanied by no bravos and no tears."
Went to the invited dress rehearsal Monday night and I loved it! A throwback to the sixties musicals I love.
Changes from Papermill are mostly with the set. The set is great and much improved. There are some cast changes in minor roles but it is basically the same show.