I would prefer hologram audiences. Instead of physically going to the theater, one could rent a "viewer" spot and enjoy the entire show without worrying about rustling candy wrappers, deranged wingnuts, or mucus-spewing disease spreaders. Of course, prices will depend on the seat selection desired.
I’m seeing ABBA Voyage next weekend and could not be more excited. I do however like the idea of holograms for musical artists that are no longer with us. What I do to see a holographic show for George Michael or The Beatles. As for Broadway, that should not happen. Broadway should be the last place where AI or holographic performances end up. That’s just me.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
It’s more of an arena concert than a stage show. I thought the original plan was to send it on tour across the US.
The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes. -Harold Prince
makes me wonder how long before we'll see them on Broadway given how well the ABBA show seems to be doing in London. I'm intrigued."
I just saw the Ryuichi Sakamoto virtual reality concert at the Shed. While it was interesting and a novelty, it was nowhere close to HD and it would have to be improved greatly before you'd want to see a whole show this way.
Heck, locate a billionaire who loves Broadway history and fully fund holograms of the original Broadway productions of GYPSY, WEST SIDE STORY, FUNNY GIRL, and countless others. Have surviving folks from these productions consult on the recreations, etc.
Impeach2017 said: "I would prefer hologram audiences. Instead of physically going to the theater, one could rent a "viewer" spot and enjoy the entire show without worrying about rustling candy wrappers, deranged wingnuts, or mucus-spewing disease spreaders. Of course, prices will depend on the seat selection desired."
So you want to watch a livestream. No thanks, I prefer live theatre.
I saw the ABBA show about a month ago and enjoyed it. The holographic images were incredible, but I viewed it as I would a concert, not a theatre piece, which it is not. Vegas, yes; NYC, no.
Of course the venue was nowhere near the west end, and was to me a pain in the ass to get to , although at least one poster here disagreed with me. So, if someone wants to open a production in a theatre in the Meadowlands, go for it…just don’t put it in the theatre district. Maybe, if they can get it to work financially, they can open it in that theatre used for the Tony’s this year. Mind you, the venue in London was built to house the show, so I assume production drove venue design.
I remember there being a little bit of spoken word, which didn’t seem as well done as the singing parts, so it may not be ready for a lot of dialogue scenes.
A lot of these “holograms” aren’t technically holograms at all- Star Wars-like holograms are currently impossible, and most practical applications of true holograms are very limited and generally can only be still images. Things like ABBA Voyage are merely updated versions of a very old theatrical illusion called Pepper’s ghost that basically used misdirection to show the audience a reflection of something on a reflective surface they hadn’t noticed. The illusion isn’t used much in theatre these days, since it takes a lot of space to do, and most Broadway shows have too many moving, variable elements- moving ensembles or set pieces will very easily destroy the illusion. You can’t really mix the reflection with corporeal elements- ie a projection of, say, Carol Channing as Dolly dancing with a real ensemble of waiters isn’t feasible due to the limits of the illusion.
But these modern “holograms” have roots in theatrical tradition nevertheless.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
bwaydreamer said: "Never. Next question. This is live theatre. Is anything safe from these people?"
I get your drift, but I think that's a little too absolute. A production could cleverly include holograms in the same way current ones include projected photographs. Of course it would have real people in it too! (ETA, following Kad's comment: this would be when such a thing is possible in a live production.)
willep said: "Impeach2017 said: "I would prefer hologram audiences. Instead of physically going to the theater, one could rent a "viewer" spot and enjoy the entire show without worrying about rustling candy wrappers, deranged wingnuts, or mucus-spewing disease spreaders. Of course, prices will depend on the seat selection desired."
So you want to watch a livestream. No thanks, I prefer live theatre."
aside from your lack of humor, no, I'm talking about something completely different.
I could see a show utilizing holograms to create a ghost, or as part of the plot or something, but I think it'll be a long long time (if ever) before all actors are replaced by holograms.
While it's difficult to predict an exact timeline, advancements in technology and the success of productions like the ABBA show in London could certainly pave the way for holograms on Broadway.
I'm glad I found this thread on Broadway World! The discussions here about various shows and performances are truly engaging. It's incredible to witness the enthusiasm and love for theater that this community shares. If you're looking to enhance your theater experiences even further, you should definitely explore the possibilities of ChatGPT integration services. Leveraging AI in the world of theater can open up new creative possibilities, from generating innovative ideas to optimizing behind-the-scenes processes.