How will Chris Columbus show the male-male kisses in RENT? — Page 9
Posted: 8/23/05 at 12:53am
Posted: 8/23/05 at 1:00am
If by take no prisoners you mean incoherent, nonsensical and borderline psychotic, then I would be inclined to agree. Your attitude, as has been pointed out ad nauseum on here and elsewhere, is doing fairness and justice more harm than good.
And I need to repeat that NOBODY who posts here has yet seen the finished movie (well, unless we have some Sony execs posting here, which I doubt) and therefore, this thread is utterly fricking redundant. You're getting your sports bra in a twist because of a trailer that the director didn't even cut, so let it go until November, please.
Posted: 8/23/05 at 1:06am
If you think people are dumb, ignore them. You're only worsening things and driving your blood pressure up over what some moron online thinks.
Posted: 8/23/05 at 1:39am
"do you think that columbus could make a movie that has crude language, drug abuse, and aids, and NOT include male on male kissing? is this a joke?"-Jess925
Well we don't know. But gay male kissing is a lot less acceptable than the most grotesque violence you can imagine when it comes to putting it on the screen. We will just have to see.
Updated On: 8/23/05 at 01:39 AM
Posted: 8/23/05 at 2:42am
You are like an oasis in a desert. I appreciate your thoughtfulness and insight.
The trailer got me thinking that the RENT movie is going to be yet another example of Hollywood's obliteration of gay male love. Waiting until the movie comes out is a reactive measure. I'm far more interested in prevention.
Be aware of the bottomless bag of tricks that Hollywood will use to keep gay male love out of the mainstream. Never underestimate Hollywood's willingness to tamper with historical fact in the name of homophobia.
Posted: 8/23/05 at 4:03am
Posted: 8/23/05 at 6:00am
And read your post. Until he does what?
Updated On: 8/23/05 at 06:00 AM
Posted: 8/23/05 at 6:33am
My remark was only to ridicule the extreme reaction to the teaser trailer. I apologize then, if it offends.
Being gay myself, and as many said above, I think there's practically nothing really to do until the film comes out (and there would be no use protesting against homophobia, until we know that is the case...and not just basing all this fear and paranoia over a teaser trailer.)
Posted: 8/23/05 at 7:18am
People not going to see a movie that has been anticipated since it first opened on B'way?
Art, you're a minority in this. Three or four people think like you, (God help them) but there are more folks who find your rants outragous. Seriously, you are not accomplishing anything.
And judging from your posts, i will say that you have not seen the show. Because if you had, you would have been complaining that Roger and Mimi have more affection time than Angel and Collins.
Posted: 8/23/05 at 7:26am
Updated On: 8/23/05 at 07:26 AM
Posted: 8/23/05 at 9:00am
Well, I probably wouldn't refer to it as "affection time," but I would agree that in the stage version Collins and Angel are the most chaste of the main couples. While Mimi and Roger and Maureen and Joanne actually have some spark, the Collins and Angel romance always played a little drippy and dull to me.
Posted: 8/23/05 at 9:43am
Posted: 8/23/05 at 9:53am
I'm sure all of Hollywood now lives in fear. Considering the nature of the show, the success of the Broadway production, and the success of gay films and shows such as Queer as Folk and Angels in America, I doubt that a couple of quick kisses between Angel and Tom (the only male-male kisses in the show) will be removed. In fact, I only remember there being one kiss just before I'll Cover You in the first act. Was there another one in Without You?
Posted: 8/23/05 at 9:54am
Come November, if the Collins and Angel relationship is marginalized and made platonic, then you should stand up and point out the hypocrisy. But, the film has not come out. It is just kind of like the boy crying wolf. We know right now there is no wolf, because there is no final film. So when and if it does arrive, we will be less inclined to listen or beleive.
And, in a slight threadjack, there was some good news in California today, I do not know how long it will last:
Court Affirms Gay Couples' Parental Status
California's justices rule that both members in same-sex relationships have full rights and responsibilities in child-custody issues.
http://www.latimes.com/news/local/la-me-custody23aug23,0,3644739.story?coll=la-tot-promo&track=morenews
I hope that make some sense.
Updated On: 8/23/05 at 09:54 AM
Posted: 8/23/05 at 11:02am
Well, not exactly, but perhaps yes, to some degree. There's no heat there. It may just be the fact that Collins and Angel are woefully underwritten characters. I just don't see much depth to them.
Posted: 8/23/05 at 4:06pm
If the movie comes out without a kiss, art will still be bitching about it on the message boards instead of taking it to the people behind all this. He is but one small voice in a thread - not strong or loud enough to be heard by the masses of publication or anyone else in the industry...let alone, the world. And even if he did stand up and protest, no one will care, still...
His approach is all wrong, and he has no grounds on which to speak.
Posted: 8/23/05 at 4:38pm
Posted: 8/23/05 at 4:41pm
Posted: 8/23/05 at 4:52pm
Posted: 8/23/05 at 4:58pm
Add to that that many times the discussion has been raised, but Art generally returns to brow beat his unknowable points.
We can't discuss the depiction of homosexual love in the movie RENT, because there is no such product yet. Discussing it in hypothetical in an attempt to change the way the movie is made is ridiculous, no one will change the film based on the objections of some freaks on a Broadway themed message board whose total membership is likely less than 200 people.
Posted: 8/23/05 at 5:14pm
True enough, though these threads have caused me to look back at Rent (the stage version) and wonder if perhaps Larson did give homosexuals the shaft. I'm not questioning his intentions, but when you look at it as a whole, there are things that are unsettling.
Sarah Schulman (who maintains that Larson ripped off her book "People in Trouble") states that "the actual message is that in the gay male couple, the guy dies. The lesbian couple--all they ever do is bicker. The only people who have true love are the straight people. [Also], the gay people with AIDS die, and the straight people with AIDS live. So you end up with a story of the AIDS crisis in which the central, most heroic figures are straight. Believe me, I have lived through the AIDS crisis and I know that that is the opposite of the truth."
If a problem with the gay characters permeates the film, it may stem from the source. Again, I don't think Larson had any malicious intent, but it's also a widely noted fact that he originally had Maureen returning to Mark at the end. Granted, that was dropped, but it does sort of indicate that Larson didn't really have much of handle on writing gay characters, and I think that comes through in the finished product.
Don't get me wrong. I still enjoy Rent and look forward to the movie, but I do think that it presents a lot of mixed messages.
Schulman Interview
Posted: 8/23/05 at 5:25pm
This is something I think we could discuss, not Larson's intentions as there is no one who can know what they were, but the product as it comes accross on stage.
I still believe that Collins and Angel have the most "loving" relationship, theres is the essence of what love could be like. To say that the lesbian couple does nothing but bicker and imply that the straight couple is presented in a different light does not foolow from the material. Roger and Mimi spend more time in a less than positive state in their relationship than any other couple.
Also, Mimi lives (and it is the single point in the show I dislike the most) but April who is presumably a straight girl has already died as an indirect result of her aids. Mimi will die, Roger will die, the fact that the straight characters are given the same disease and ultimate fate negates the notion, to me, that straight people are treated differently.
As a general notion though it may be the case that Larson didn't have a handle on the issues facing homosexuals, but that the piece does do an excellent job of introducing positive gay characters and integrating them without stereotype in a larger piece.
Posted: 8/23/05 at 5:34pm
the piece does do an excellent job of introducing positive gay characters and integrating them without stereotype in a larger piece.
I'm not sure that Angel isn't a stereotype. Or perhaps she's an archetype (the name alone. Oy). She's the sassy Latin Boy in a dress (see To Wong Foo). She's unlike any drag queen I've ever met in my life. She's so ... preposterously good and holy that I still to this day can't fathom how she contracted HIV to begin with. Perhaps she was administering a needle-exchange program and accidentally got pricked?
I think that Angel and Collins are the least interesting characters in the show. There's nothing below their surface, except that by the end, Collins is advocating outright thievery (again with the mixed messages!).
And I can see the joke about anti-homosexual bias, but still, I think Schulman does raise some points that have to be considered. Yes, April (a character we never see) dies. But it's a suicide. The suicide may have been provoked by her diagnosis of HIV/AIDS, but AIDS is not what killed her. Of four positive main characters, only a gay one dies.
And finally, I don't know that we're led to believe Roger and Mimi will die. The show's biggest misstep, in my opinion, is bringing Angel back on at the end of the finale, before the show is actually over. I've never quite figured out what we're supposed to make of that.
EDITED and Mini-Spoiler: Granted, Angel does drive a dog off a terrace, but she does it via drumming, and once we discover the dog was Benny's, we feel she is justified. Even her cruelty to animals becomes sanctimonious.
Updated On: 8/23/05 at 05:34 PM
Posted: 8/23/05 at 5:45pm
Angel as a good holy stereotype would also be an opposite, taking a stereotype and reversing it, making into something positive. Its a classic postmodern form of empowerment.
Collins is the one who does not fit the stereotyoes at all to me, he is not someone you would say oh look at the gay guy about.
I don't see the theivery as a mixed message, I think it fits well with the anti-captialist message of the rest of the show.
In my head at least Mimi has little to no time left, the end is immenent. It has always almost seemed to me that the entire ending from when Mimi returns through the finale (including Angel's return) is dreamish or a more a metaphoric hope, that Mimi dies.
of course this is not expressed in a tangible way, but I read lots into everything, and that is just as important to me.
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