All your points are well taken, smartpenguin78, though I don't agree with you on all of them.
the piece does do an excellent job of introducing positive gay characters and integrating them without stereotype in a larger piece. I'm not sure that Angel
isn't a stereotype. Or perhaps she's an archetype (the name alone. Oy). She's the sassy Latin Boy in a dress (see
To Wong Foo). She's unlike any drag queen I've ever met in my life. She's so ... preposterously good and holy that I still to this day can't fathom how she contracted HIV to begin with. Perhaps she was administering a needle-exchange program and accidentally got pricked?
I think that Angel and Collins are the least interesting characters in the show. There's nothing below their surface, except that by the end, Collins is advocating outright thievery (again with the mixed messages!).
And I can see the joke about anti-homosexual bias, but still, I think Schulman does raise some points that have to be considered. Yes, April (a character we never see) dies. But it's a suicide. The suicide may have been provoked by her diagnosis of HIV/AIDS, but AIDS is not what killed her. Of four positive main characters, only a gay one dies.
And finally, I don't know that we're led to believe Roger and Mimi will die. The show's biggest misstep, in my opinion, is bringing Angel back on at the end of the finale, before the show is actually over. I've never quite figured out what we're supposed to make of that.
EDITED and Mini-Spoiler: Granted, Angel does drive a dog off a terrace, but she does it via drumming, and once we discover the dog was Benny's, we feel she is justified. Even her cruelty to animals becomes sanctimonious.
"How do you like THAT 'misanthropic panache,' Mr. Goldstone?" - PalJoey
Updated On: 8/23/05 at 05:34 PM