I love the show but... — Page 2
#27
Posted: 12/24/04 at 11:54pm
a) I'm pretty sure Happy Spring is just sarcasm
b) I ALWAYS interpreted "I hate the fall" as Falling down, falling into the abyss, falling to pieces, falling into misery, not the season!
b) I ALWAYS interpreted "I hate the fall" as Falling down, falling into the abyss, falling to pieces, falling into misery, not the season!
Rosencrantz: "Be happy - if you're not even HAPPY what's so good about surviving? We'll be all right. I suppose we just go on."
- from Tom Stoppard's Rosencrantz and Guildenstern are Dead
#28
Posted: 12/24/04 at 11:55pm
"But it's impossible for whoever is playing the part of Sweeney to maintain a healthy voice throughout the show."
Tell that to George Hearn.
Tell that to George Hearn.
"One no longer loves one's insight enough once one communicates it."
The opposite of creation isn't war, it's stagnation.
The opposite of creation isn't war, it's stagnation.
#29
Posted: 12/24/04 at 11:57pm
I don't see anything wrong with Nine (the revival).
"Chicago is it's own incredible theater town right there smack down in the middle of the heartland. What a great city! I can see why Oprah likes to live there!" - Dee Hoty :-D
#30
Posted: 12/25/04 at 12:00am
I love Thoroughly Modern Millie, but I didn't like how quickly they revealed everything at the end about the whole brother/sister/mother situation.
I love Urinetown, but I wish they gave a time period (was it in the 1960s, 1970s...???) rather than "Just after the Stink Years".
I love Urinetown, but I wish they gave a time period (was it in the 1960s, 1970s...???) rather than "Just after the Stink Years".
"We like to snark around here. Sometimes we actually talk about theater...but we try not to let that get in our way." - dramamama611
#31
Posted: 12/25/04 at 12:14am
Wicked..Something Baaaaad is something awful. And I'm not too fond of the Wizard's songs.
Les Miz...saw it too many times, and was annoyed by the whole confession scene between Marius & Valjean.
Noises Off. One of my fave movies (I know it was a play first) but the revival was Terrible! Or was that just Patti Lupone?
Big River - Great show. HATE I Huckleberry Me.
Les Miz...saw it too many times, and was annoyed by the whole confession scene between Marius & Valjean.
Noises Off. One of my fave movies (I know it was a play first) but the revival was Terrible! Or was that just Patti Lupone?
Big River - Great show. HATE I Huckleberry Me.
"Do you know what pledge time is, Andrew"? said the PBS Executive.
"Yes", Lloyd Webber replied. "My 50th birthday special must be one program that gets done a lot."
"No", mused the man from PBS heedlessy. "Not so much. Our Stephen Sondheim Carnegie Hall concert. That's a big one."
Spoons, forks and knives seemed suddenly to suspend their motion in horror, all around the table.
#32
Posted: 12/25/04 at 12:26am
VIET, if you hated all those things about Wicked and still adore the show, you're a far more generous soul than I. :)
#33
Posted: 12/25/04 at 1:08am
I think the implication is that URINETOWN is set in the not-so-distant future. It's a cautionary picture of where society is headed if we don't get our shlt together, if you will.
#34
Posted: 12/25/04 at 1:19am
I know Plum. Sometimes I wonder why I would like Wicked that much considering it's shortcomings. I think I just like the idea of it and what they tried to do. I still think it has the potential to be something great. Maybe in 50 years, someone will do a revival of it and totally re-work the book and staging.
P.S. I also think my undying love for Chenoweth had something to do with it as well.
P.S. I also think my undying love for Chenoweth had something to do with it as well.
"I've got to get me out of here
This place is full of dirty old men
And the navigators and their mappy maps
And moldy heads and pissing on sugar cubes
While you stare at your books."
#35
Posted: 12/25/04 at 9:36am
Yeah..."sentimental man" is boring too. I know so far whoever plays the Wizard has been famous (other than Sean McCourt) but there is no need to stick in a pointless, boring song just so people can hear him more. If that is totally necessary, at least give him a better song!
#36
Posted: 12/25/04 at 3:06pm
I really was getting into Once on this Island, but when I got to the ending, which I think is a little bit too deep, I left saying "Ok... that was really stupid."
#37
Posted: 12/25/04 at 3:08pm
But do you understand the symbolism of the tree? It's not stupid when you realise that the tree is where it all started, and Daniel's son meets his own peasant girl. It's a beautiful sentiment.
"Do you know what pledge time is, Andrew"? said the PBS Executive.
"Yes", Lloyd Webber replied. "My 50th birthday special must be one program that gets done a lot."
"No", mused the man from PBS heedlessy. "Not so much. Our Stephen Sondheim Carnegie Hall concert. That's a big one."
Spoons, forks and knives seemed suddenly to suspend their motion in horror, all around the table.
#38
Posted: 12/25/04 at 3:44pm
LOVE "Sunday in the Park With George," but HATE the lyric:
"I love your painting!
I think I'm fainting!"
(Just the fainting part).
It's too much of a rhyme, but hey, it's Sondheim so he obviously had a purpose for his actions.
"I love your painting!
I think I'm fainting!"
(Just the fainting part).
It's too much of a rhyme, but hey, it's Sondheim so he obviously had a purpose for his actions.
"Bang...The War Commences"
#39
Posted: 12/25/04 at 4:27pm
Justice, I really DO understand, and I am usually the one who is so big on "the deeper meaning," but for some reason this one just didn't click with me.
#40
Posted: 12/25/04 at 5:52pm
SUNDAY IN THE PARK WITH GEORGE: I love the show, but I think the character of George's ex-wife in Act II is completely superfluous and, quite frankly, a detriment to the show. She's undercharacterized and underused, and if she were removed, I think there'd be a stronger focus on the relationship between George and Marie.
But I rather like that painting/fainting rhyme, it's funny.
But I rather like that painting/fainting rhyme, it's funny.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#41
Posted: 12/25/04 at 7:46pm
In the Lion King I don't like when he start singing "It's a Small World Afterall"
#42
Posted: 12/25/04 at 10:23pm
The book to Pippin is really weak, and the original ending doesn't make sense. It's a good thing they rewrote the ending.
#43
Posted: 12/25/04 at 10:27pm
Some Thoroughly Modern Millie songs suck, like Muzzy's. I love the score but some of the songs make me cringe.
#44
Posted: 12/26/04 at 12:50am
The book to Pippin is really weak, and the original ending doesn't make sense. It's a good thing they rewrote the ending.
I think Pippin is supposed to be playful and fantastical, with only a thin thread of darkness. But I agree, I like the new ending.
I think Pippin is supposed to be playful and fantastical, with only a thin thread of darkness. But I agree, I like the new ending.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
#45
Posted: 12/26/04 at 12:53am
I totally agree with Cosette being under-developed.
Since Rent was mentioned so much, I'll add my 2cents: Benny is SO flat. He's a sterotypical "bad guy" the whole show and outta the blue he becomes friends with the gang at the end. Where does it come from [rhetorical]?
I'm a fan of The Producers(yes, very overrated), but the love story with Ulla and Leo gets in the way. The story behind the creation of Springtime for Hitler becomes so darned entertaining that their song and dance at the top of Act II makes me wanna scream, "Who cares? Stop dancing on this horribly bland white set! Show us dancing Nazis!!!"
Since Rent was mentioned so much, I'll add my 2cents: Benny is SO flat. He's a sterotypical "bad guy" the whole show and outta the blue he becomes friends with the gang at the end. Where does it come from [rhetorical]?
I'm a fan of The Producers(yes, very overrated), but the love story with Ulla and Leo gets in the way. The story behind the creation of Springtime for Hitler becomes so darned entertaining that their song and dance at the top of Act II makes me wanna scream, "Who cares? Stop dancing on this horribly bland white set! Show us dancing Nazis!!!"
Variations on a Theme blog: http://panekattack.blogspot.com/
#46
Posted: 12/26/04 at 2:24am
I think there was a purpose to George's ex-wife, but I agree that she wasn't used too well. I just like the characters in Act I better than the ones in Act II in general, though none of them get much depth. They're all just dots for George to move around.
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