I love Sweeney. But it's impossible for whoever is playing the part of Sweeney to maintain a healthy voice throughout the show.
a) I'm pretty sure Happy Spring is just sarcasm
b) I ALWAYS interpreted "I hate the fall" as Falling down, falling into the abyss, falling to pieces, falling into misery, not the season!
"But it's impossible for whoever is playing the part of Sweeney to maintain a healthy voice throughout the show."
Tell that to George Hearn.
I don't see anything wrong with Nine (the revival).
I love Thoroughly Modern Millie, but I didn't like how quickly they revealed everything at the end about the whole brother/sister/mother situation.
I love Urinetown, but I wish they gave a time period (was it in the 1960s, 1970s...???) rather than "Just after the Stink Years".
Wicked..Something Baaaaad is something awful. And I'm not too fond of the Wizard's songs.
Les Miz...saw it too many times, and was annoyed by the whole confession scene between Marius & Valjean.
Noises Off. One of my fave movies (I know it was a play first) but the revival was Terrible! Or was that just Patti Lupone?
Big River - Great show. HATE I Huckleberry Me.
Broadway Legend Joined: 3/4/04
VIET, if you hated all those things about Wicked and still adore the show, you're a far more generous soul than I. :)
Broadway Legend Joined: 2/20/04
I think the implication is that URINETOWN is set in the not-so-distant future. It's a cautionary picture of where society is headed if we don't get our shlt together, if you will.
Broadway Legend Joined: 1/18/04
I know Plum. Sometimes I wonder why I would like Wicked that much considering it's shortcomings. I think I just like the idea of it and what they tried to do. I still think it has the potential to be something great. Maybe in 50 years, someone will do a revival of it and totally re-work the book and staging.
P.S. I also think my undying love for Chenoweth had something to do with it as well.
Yeah..."sentimental man" is boring too. I know so far whoever plays the Wizard has been famous (other than Sean McCourt) but there is no need to stick in a pointless, boring song just so people can hear him more. If that is totally necessary, at least give him a better song!
Broadway Star Joined: 5/22/04
I really was getting into Once on this Island, but when I got to the ending, which I think is a little bit too deep, I left saying "Ok... that was really stupid."
But do you understand the symbolism of the tree? It's not stupid when you realise that the tree is where it all started, and Daniel's son meets his own peasant girl. It's a beautiful sentiment.
Swing Joined: 12/20/04
LOVE "Sunday in the Park With George," but HATE the lyric:
"I love your painting!
I think I'm fainting!"
(Just the fainting part).
It's too much of a rhyme, but hey, it's Sondheim so he obviously had a purpose for his actions.
Broadway Star Joined: 5/22/04
Justice, I really DO understand, and I am usually the one who is so big on "the deeper meaning," but for some reason this one just didn't click with me.
SUNDAY IN THE PARK WITH GEORGE: I love the show, but I think the character of George's ex-wife in Act II is completely superfluous and, quite frankly, a detriment to the show. She's undercharacterized and underused, and if she were removed, I think there'd be a stronger focus on the relationship between George and Marie.
But I rather like that painting/fainting rhyme, it's funny.
Broadway Star Joined: 9/18/04
In the Lion King I don't like when he start singing "It's a Small World Afterall"
Broadway Legend Joined: 4/23/04
The book to Pippin is really weak, and the original ending doesn't make sense. It's a good thing they rewrote the ending.
Some Thoroughly Modern Millie songs suck, like Muzzy's. I love the score but some of the songs make me cringe.
The book to Pippin is really weak, and the original ending doesn't make sense. It's a good thing they rewrote the ending.
I think Pippin is supposed to be playful and fantastical, with only a thin thread of darkness. But I agree, I like the new ending.
I totally agree with Cosette being under-developed.
Since Rent was mentioned so much, I'll add my 2cents: Benny is SO flat. He's a sterotypical "bad guy" the whole show and outta the blue he becomes friends with the gang at the end. Where does it come from [rhetorical]?
I'm a fan of The Producers(yes, very overrated), but the love story with Ulla and Leo gets in the way. The story behind the creation of Springtime for Hitler becomes so darned entertaining that their song and dance at the top of Act II makes me wanna scream, "Who cares? Stop dancing on this horribly bland white set! Show us dancing Nazis!!!"
Broadway Legend Joined: 3/4/04
I think there was a purpose to George's ex-wife, but I agree that she wasn't used too well. I just like the characters in Act I better than the ones in Act II in general, though none of them get much depth. They're all just dots for George to move around.
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