However cheap or trite ALW might be considered by a true theatre fan, the man is a composer of tremendous, epic, and breath-taking melody. Those tunes might recycle, repeat, and reappear within the show and even from show to show, but when the score is as compelling and dare I say ravaging as that of Woman in White, it is WORTH it God damn it.
I recommend purchasing Julian Lloyd Webber's Phantasia that contains The Woman in White orchestral suite. Your appreciation for the score will grow tenfold I believe. Zippel's lyrics? Horrible. The projections? Often lifeless and lacking grandeur. Yes, the design aspects weren't worthy of the Great White Way. But the score is in ALW's top 3, and had this show not come around, I'd not be aware of it and/or totally entranced by it at the moment. I can only pray ALW continues to write and that haters will at least acknowledge his music as always oozing with majestic beauty and prowess, even if it isn't a perfect match for the musical stage.
That will be all :o)
Updated On: 2/21/06 at 12:08 AM