Wow, I'm gone for a day and there are four pages of replies.
I'll only respond to this:
"CapnHook, how can you seriously believe that of all the negative things critics had to say about the film that this one scene is something that would have caused them to "love" it?"
Before I get into my bold statement about saving the film, let me first say that I have shown the ending to several of my friends. Last night, we watched the film and then stopped it before Mark turns on the projector to put on the alternate ending. Worked SOO much better. Everyone agreed - the alternate ending was better suited for the film. Not ONE of the ~20 people who saw it said the one in theatres was better.
I like the original one, however it does not provide closure to the film. If they wanted to keep it, "Seasons of Love" should have been cut. If you're going to have the actors on the stage, you can't open the film that way and then not reference back to them or say what that was all about.
Choosing the alternate ending would not have saved RENT from all it's other problems, however, it is the final moment of the film. It's what makes people go out of the theatre and stamp their opinion of it. The beginning, middle, and the end of a movie are important - however the beginning and end are key. The ending in theatres didn't make me feel complete. The one on the DVD did and made me ball tears.
Therefore, it could have saved the movie in the sense that more people would have felt better about it and it would have gotten more word of mouth from non-theatre folks. And yes, I believe critics would have liked the film better with the alternate ending. Would it change their number of stars given or thumbs up or down? Who knows.
After seeing the film and deleted scenes with the commentary, I now hate one of my (former) favorite directors.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle