Here are a few little known facts for ya'all. When Jonathan Larson was ten years old he wrote a few little ditties that he sent to his favorite composer, Stephen Sondheim. Jonathan had been in the audience of a little show called Anyone Can Whistle that nobody saw. To his delight Stephen wrote Jonathan back telling him that he liked the songs so much, he would incorporate them into his newest show (These would later become "Another Hundred People," "Sorry-Grateful," "The Ladies Who Lunch," and "Being Alive"). There was little contact between the two for the majority of the rest of the decade. When Jonathan got older he realized that he had basically sold his songs for free. When he confronted Sondheim about this Sondheim agreed to let Jonathan contribute a few songs to his new project (they would become "The Worst Pies in London," "Epiphany," and "Not While I'm Around"). Once again, Sondheim gave Jonathan no credit, saying that it would stint ticket sales. Jonathan was just grateful for the exposure (although a little sorry at the same time). This trend continued throughout the 80s for the next several Sondheim shows, until finally Jonathan decided to try for a career of his own. For 10 years Jonathan had to work hard as Sondheim continued bashing his name in the community and holding him back, but finally what we know as RENT made it to an off Broadway stage. While it was in previews, Jonathan mysteriously died. All of Sondheim's friends vouch for Stephen's alibi.
But you do the math.
Regardless, who's got a movie in theaters right now? It certainly isn't Stephen. Jonathan Larson's child genius lives on.
yr ronin,
joey