Ken Watanabe will be missed. He was fantastic and I still remember his performance of "A Puzzlement". I congratulate Jose and Hoon for getting the role. I'm sure they'll be great!
Jose playing Lun Tha previously is mentioned in the BWW article and is why this casting is so fun and partly why so many wanted him to play the role initially.
I think Llana is a very handsome guy and a very funny actor, but I can't imagine this being in any way "a performance for the ages," except to his mother and perhaps his agent.
I'm surprised we haven't heard more vocal/written objections lately to this problematic role, a white-written "noble savage," a "barbarian" at heart who is trying to be "better" (i.e. more white), who descends into animal behavior but is ultimately redeemed by adopting Western (or "more evolved") morals. David Henry Hwang has written about this, but everyone seems quite quiet on the subject during this production.
He is 39, Lou Diamond Phillips was 34 and Yul Brynner was 31 when he originated the role. I think he is fine. The only thing that might make it hard to believe is if Conrad Ricamora looks to close to him in age.
"I think lying to children is really important, it sets them off on the right track" -Sherie Rene Scott-
I'm surprised we haven't heard more vocal/written objections lately to this problematic role, a white-written "noble savage," a "barbarian" at heart who is trying to be "better" (i.e. more white), who descends into animal behavior but is ultimately redeemed by adopting Western (or "more evolved") morals. David Henry Hwang has written about this, but everyone seems quite quiet on the subject during this production.
newintown, isn't the Westernization aspect based on some form of the truth? If it's based on fact I don't understand the objection. Yes, other movies and adaptations have been more accurate but I think The King and I still holds up a bit better than Flower Drum Song which Hwang eventually rewrote.
The truth is that Anna was probably part Indian, never lived in England, and met King Mongkut very few times while working for him.
The truth is also that Mongkut was a Buddhist monk before he was King and was well-educated, and a notably gentle and peaceful man.
The truth is something that The King & I ignores pretty completely, in favor of somethjng more like a sentimental Western melodrama.
Not that that's a terrible thing; the best musicals play fast and loose with the truth; but it's good to know when that playing is playing somewhat on the racist side.
Not every variation from the truth is racist. Isn't the point that he is trying to be a better person and the struggle kills him with stress? He is not trying to be a better Asian and he is not trying to be a Western European but to find the truth in his own culture and in other cultures? If you focus on his race, aren't you missing the more sensitive points of the story?