KING AND I Revival a possibility — Page 6
#127
Posted: 12/31/11 at 1:40am
I cannot even begin to imagine how gorgeous a set design by Michael Yeargan would be in the Beaumont for this production...
"There’s nothing quite like the power and the passion of Broadway music. "
#128
Posted: 12/31/11 at 9:39am
Ray-Anthony, I think Ambrose as Anna is a lovely idea as well. And count me among those who was solidly in her corner on Funny Girl.
Updated On: 12/31/11 at 09:39 AM
#129
Posted: 12/31/11 at 10:09am
Ray-Anthony, I think Ambrose as Anna is a lovely idea as well. And count me among those who was solidly in her corner on Funny Girl.
Pal Joey, I think race does matter in the casting of Mrs. Anna. The particular historical epoch, the clash of cultures and the leads' debates about their world, the threat of and interest of English influence on the court of Siam, the undercurrents of colonialism. It might be a fine thing for a black Anna to represent English liberalism and be anti-slavery. But it might come off as a very phony thing for Anna to represent an England that would appear to be sending a woman of African descent to teach the children of the King and be a proxy for her majesty's government at the court. As prematurely progressive as it would be had Anna been an African American woman sent there by Lincoln himself before Reconstruction.
It is not about race-neutral casting in general. These concerns are about race-neutral casting in a particular work in which race matters.
Pal Joey, I think race does matter in the casting of Mrs. Anna. The particular historical epoch, the clash of cultures and the leads' debates about their world, the threat of and interest of English influence on the court of Siam, the undercurrents of colonialism. It might be a fine thing for a black Anna to represent English liberalism and be anti-slavery. But it might come off as a very phony thing for Anna to represent an England that would appear to be sending a woman of African descent to teach the children of the King and be a proxy for her majesty's government at the court. As prematurely progressive as it would be had Anna been an African American woman sent there by Lincoln himself before Reconstruction.
It is not about race-neutral casting in general. These concerns are about race-neutral casting in a particular work in which race matters.
Updated On: 12/31/11 at 10:09 AM
#130
Posted: 12/31/11 at 11:46am
I still think Audra is the most compelling choice. Followed by Kate Baldwin then Laura Benanti.
I've seen BD Wong do some amazing song interpretations before and it would make me very happy to see him on stage again, but I don't know if he has that commanding and powerful presence needed for the King. Similarly if you compare his performance in Pacific Overtures with Mako's original, I think Wong was lacking power.
I've seen BD Wong do some amazing song interpretations before and it would make me very happy to see him on stage again, but I don't know if he has that commanding and powerful presence needed for the King. Similarly if you compare his performance in Pacific Overtures with Mako's original, I think Wong was lacking power.
#131
Posted: 12/31/11 at 1:06pm
I saw Elaine Paige at the Palladium and thought her performance was a bit hammy - she played to the audience almost like panto - (Jason Scott Lee had left and the King was pleasant but week which may have made it very difficult for her). But my goodness her signing performance of the score was magnificent and rather unexpected given she's not a soprano.
I'd love to see Laura Michelle Kelly or Laura Osnes in this. I also think given that Audra McDonald has been so distinguished as both Julie and Carrie that she should be let be Mrs. Anna. Audiences will willingly be convinced that the character is a white englishwoman without her having to look white. If the Siamese court are all oriental there will still be the contrast needed for the plot to work. I think race will have to be made increasingly irrelevant in classic musical theatre such as Rodgers and Hammerstein to allow the best interpreters to tackle the roles much as has already happened in opera.
I'd love to see Laura Michelle Kelly or Laura Osnes in this. I also think given that Audra McDonald has been so distinguished as both Julie and Carrie that she should be let be Mrs. Anna. Audiences will willingly be convinced that the character is a white englishwoman without her having to look white. If the Siamese court are all oriental there will still be the contrast needed for the plot to work. I think race will have to be made increasingly irrelevant in classic musical theatre such as Rodgers and Hammerstein to allow the best interpreters to tackle the roles much as has already happened in opera.
#132
Posted: 12/31/11 at 1:16pm
Other than Lauren Ambrose, Laura Michelle Kelly is far and away the best idea in this thread. She would be absolutely remarkable as Anna. Now that she's done two shows on Broadway, I'm hoping she works here in New York more and more.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Tony Kushner: You can sing it at my funeral.
Updated On: 12/31/11 at 01:16 PM
#133
Posted: 12/31/11 at 1:51pm
I like Audra McDonald, and I wouldn't mind seeing her in the role, but regardless of race she just isn't my top choice to play the role.
Yes, Laura Michelle Kelly would be wonderful but she sounds like too obvious of a choice after MARY POPPINS. Wouldn't she want to stretch those acting muscles a little more? And believe me I know the role of Mary Poppins is very different from the role of Anna, but I rather see her play a completely different role like say Reeno Sweeney in the current production of ANYTHING GOES.
I much prefer the out-of-box casting idea of Lauren Ambrose, but that's just because I think that type of casting often creates the most surprising and exciting turns (see Sutton Foster in ANYTHING GOES, for example).
Yes, Laura Michelle Kelly would be wonderful but she sounds like too obvious of a choice after MARY POPPINS. Wouldn't she want to stretch those acting muscles a little more? And believe me I know the role of Mary Poppins is very different from the role of Anna, but I rather see her play a completely different role like say Reeno Sweeney in the current production of ANYTHING GOES.
I much prefer the out-of-box casting idea of Lauren Ambrose, but that's just because I think that type of casting often creates the most surprising and exciting turns (see Sutton Foster in ANYTHING GOES, for example).
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#134
Posted: 12/31/11 at 3:12pm
I'm still very attached to the idea of Kate Baldwin as Anna, I think she'd be lovely. I think Kelli O'Hara is the obvious choice given that it's Sher and Lincoln Center and I think she'd be good, but I'd rather someone like Baldwin or Laura Benanti play the role. Laura Michelle Kelly is also a great choice, she was a fantastic Mary Poppins and her voice is glorious, I'd love to hear her sing this score.
#135
Posted: 1/1/12 at 12:09pm
What about Vicky Clark? Maybe not a revolutionary idea but she would certainly perform the hell out of it. And Telly Leung for Lun Tha maybe?
#136
Posted: 1/1/12 at 12:14pm
I think Victoria Clark, Kelli O'Hara or even Rachel Weisz would be great.
#137
Posted: 1/1/12 at 3:06pm
Someone mentioned how great the set design would be.
Am I the only one who would like to see something besides bathing the stage in red and gold?
Am I the only one who would like to see something besides bathing the stage in red and gold?
#138
Posted: 1/1/12 at 3:55pm
It's a shame Victoria Clark wasn't big enough of a name to replace Donna Murphy in the '96 production (curiously enough, she understudied Murphy's eventual replacement, Faith Prince in GUYS & DOLLS and by all accounts was terrific as Miss Adelaide). I imagine she'd have been as fantastic as Murphy in a completely different way. By now, I believe she's too old to play the mother of a young child; but just like it was great seeing Reba tackle Nellie in the concert production of SOUTH PACIFIC, I'd love to see Clark tackle the role in a concert production of THE KING & I.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
#139
Posted: 1/1/12 at 4:41pm
Rachel York maybe, the show is so famous it dosn't really need a name for anna.
#141
Posted: 1/1/12 at 10:33pm
Wow, does Rachel Weisz sing? Assuming she does, it's an enchanting idea.
#142
Posted: 1/1/12 at 11:58pm
I would imagine Weisz does sing. Yes, I can totally picture her can't you? Dark features, stellar acting. I don't feel Anna is a massive sing, so Weisz would act the **** out of it.
#143
Posted: 1/2/12 at 8:56am
I can totally picture Rachel Weisz as a brilliant, convincingly maternal and very polished Anna. Warm, elegant, radiant, and terrifically engaging. And, yes, I see her as a dark haired lovely vision of an Anna as well.
Emma Thompson might be a very different but equally perfect choice. Musical theater experience, huge draw, and extremely interesting fit for the role.
Emma Thompson might be a very different but equally perfect choice. Musical theater experience, huge draw, and extremely interesting fit for the role.
Updated On: 1/2/12 at 08:56 AM
#144
Posted: 1/2/12 at 10:27am
I think I'd be more interested in seeing Emma Thompson play Anna in a non-musical adaptation.
I stand by Kate Baldwin as my dream Anna, although I'm sure Laura Benanti and some of the other ladies suggested would be great.
I stand by Kate Baldwin as my dream Anna, although I'm sure Laura Benanti and some of the other ladies suggested would be great.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
#145
Posted: 1/2/12 at 10:27am
I think I'd be more interested in seeing Emma Thompson play Anna in a non-musical adaptation.
I stand by Kate Baldwin as my dream Anna, although I'm sure Laura Benanti and some of the other ladies suggested would be great.
I stand by Kate Baldwin as my dream Anna, although I'm sure Laura Benanti and some of the other ladies suggested would be great.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
#146
Posted: 1/2/12 at 11:31am
I think Laura Benanti is too modern for it I'm afraid. can't get to grips with picturing her at all in the role.
#149
Posted: 1/3/12 at 1:39am
Nah...Rebecca Luker doesn't seem good for it. I think she's just to bland for my taste.
I still prefer Kelli O'Hara
I still prefer Kelli O'Hara
#150
Posted: 1/3/12 at 1:44am
I think Laura Benanti is too modern for it I'm afraid. can't get to grips with picturing her at all in the role.
Laura was supposedly an excellent Maria in the SOUND OF MUSIC revival. I doubt she'd have a problem playing another period role.
Laura was supposedly an excellent Maria in the SOUND OF MUSIC revival. I doubt she'd have a problem playing another period role.
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