"Well if they come in July they will have to sit in their seats for about 90 days."
I never said she is going to bring people into the met over the summer. You are smearing. Im just saying, people to travel to see opera singers, and she is a big star so people might consider coming over for her. I want to know how they are selling in June and July
Play Esq, yes, i am aware that the Met is dark in the summer. I don't think that has anything to do with anything. If people like her enough, they will come to see her. Do you know how they are selling over the summer?
" "Well if they come in July they will have to sit in their seats for about 90 days." what does that even mean? Play Esq, yes, i am aware that the Met is dark in the summer. I don't think that has anything to do with anything. If people like her enough, they will come to see her. Do you know how they are selling over the summer?"
What does that even mean? What you previously said you understood about the Met being dark.
Honey, i love you (can't stand you and I'm sure your love life will consist of a series of...meaninglessness for the rest of your life...), but with that said, if opera goers are not seeing her at the Met when they could couple the PEOPLE'S DIVA with 3 or 4 other operas during the fall and winter, why would they wait to be in New York at the WOREST time of year, to see her kinda act?
Babe, I get it: she's your first opera crush. (Natalie Dessay was mine.). But you're a tool. And, well, you know you are getting a reaction as a result of your obnoxious disposition. We indulge you here....we are just as much as fault for your obnoxiousness as you (well...not as responsible...but I'm trying to be nice.
I think the producers may have been counting on people coming to see Fleming. So far, that has not happened. I think most fans of Fleming want to come hear her sing live - Seeing her in a play which - based on videos - aims to make fun of opera and opera divas - is not, necessarily, what those Fleming fans want to see.
I looked at 8:00 p.m. on Saturday June 13 - the balcony and mezzanine are pretty much all available - and the orchestra is about 1/3 sold. Draw your own conclusions based on only one data point.
Play Esq, the reason why everyone talks to me on here is because they know I am being serious. I am not trying to get any reaction. I express my opinion like everyone else on this board. Think of me as the Elisabeth Hasselbeck from The View.
"JPeterman, who are you? Play Esq, the reason why everyone talks to me on here is because they know I am being serious. I am not trying to get any reaction. I express my opinion like everyone else on this board. Think of me as the Elisabeth Hasselbeck from The View."
I just looked at tickets for a whole bunch of SATURDAY nights: it's not selling well. I doubt that they have surpassed 1/3 capacity. Under 50% sold in the orchestra, and nearly nothing in the mezz or orch.
I'd say it announces closing right after the Tony noms.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
The reality, which I doubt you have any intention of grasping, is that opera lovers are otherwise occupied in the summer, whether at festivals in Europe, in the Hamptons, Berkshires or the Poconos (depending on where they sit at the Met). They are not coming to NY in the summer unless Caruso is reincarnated and booked to sing Rigoletto.
If you are interested in the advance for July, have a look at Telecharge where you will discover that there are over 30,000 seats available.
I decided to do some research regarding this show's advance sale by picking a random Friday in mid-June and mid-July. The mid-June performance is showing 856 seats available and the mid-July has 863 available. The capacity is 1,073, so on these random dates they've sold at most 210 or 217 seats, and I'm imagining that there are probably about 20 production holds. In reality less than 200 seats sold. I wouldn't call that a healthy advance.
One *possible* part of the explanation - at the stage door, a bunch of us were wondering about the difference in the reception for the jokes between opera fans and non-opera fans. I think you miss A LOT if you don't know opera. And if you don't like opera and its trappings, I think it would be a hard play to sit through.
I found a bunch of the opera-centered jokes hysterical -I mean really, really funny. I can't identify non-opera centered jokes like that.