Little Shop of Horrors- Pasadena

I saw it last night and really liked it overall. I thought the Urchins were fantastic. All 3 were amazing singers and their harmonies were so tight and it was only the second performance. Brittany Campbell - who was a Schuyler sister understudy for Hamilton Chicago - plays Ronnette.

I loved George Salazar as Seymour. His vocals were strong and he brought the right amount of sweet and nerdy. It is definitely a slightly different “Little Shop of Horrors” but I think it works to have a trans woman of color as Audrey. I just wish MJ Rodriguez’s performance had been a little stronger. She seemed nervous and stumbled over a few lines - so I hope her confidence will grow as she gets some more shows under her belt. She doesn’t play Audrey as the Ellen Greene imitation that I have seen before. It feels much more like someone who really grew up on Skid Row and had a rough life. Her vocals were strong and she opened up more in Act 2. I thoroughly enjoyed their “Suddenly Seymour.” Where she stumbled was in the acting. It came off very flat - except in the more emotional scenes. Though she has done theater, she has more recently done TV and my daughter felt like she was doing TV acting on the stage, which didn’t work. I do think she will grow into the role more.

Kevin Chamberlain was great as Mr. Mushnik. He played it like the seasoned performer he is. Matthew Wilkas played Orin with a darker edge than I have seen before. He still did the laughing gas schtick- but it wasn’t over the top. His dying scene was pretty dramatic and I heard someone in the audience say out loud, “Is he ok?” I really enjoyed Amber Riley as Audrey II. Her vocals were amazing - but it was sad to have her behind the scenes and not get to actually see her perform.

There were several puppeteers who do things with silhouettes and puppets thoughout the show. While I liked what they did, it was strange not to have an Audrey II that grew. They had one main puppet for Audrey II and during scenes where it was supposed to be bigger, the puppeteers came out with different pieces of a bigger plant and then they would go away after the scene and you were left with the smaller plant.

The costumes and set were a mix of modern and period pieces. The clothing was fairly modern - especially the Urchins’ costumes. There is an older car and rotary phones, but there is also a modern dentist setup and modern bags of plant food. For me, it made some of the lyrics feel a bit out of place - like “Somewhere That’s Green” where the lyrics allude to many 1960’s things. I really wasn’t sure when it was supposed to be set. Audrey’s clothing is much more subdued than previous Audrey’s I have seen, so the line where she talks about doing terrible things and wearing tacky clothing, not like the clothes she wears to the shop, fell flat.

Those are my initial thoughts. It is definitely worth seeing. It was a full house last night and the audience seemed to enjoy it. I look forward to hearing what other people think and if I missed something with the set design.

Thanks for the detailed review, conealpetterson!

I have tickets for it the first week in October, and I'm very excited. I'm glad I bought my $30 tickets when I did- as most seats seem to be in the $110+ range now.

I love this show, and I am excited about the cast. I'll post my thoughts once I see it. Sounds like they had a strong start, and I hope they get more comfortable as time goes on.

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any merch?

I thought the performances were good. I didn't really like the set design. Felt like the space was underutilized. And the puppets were odd. Not actually growing took me out of the moment.

I really couldn’t understand the creative reasoning behind giving Audrey such boring costumes.

Saw this last night, and we didn't like it very much.

Ronnette, Crystal and Chiffon all sounded great, were well-utilized and had excellent stage presence, especially Crystal. And Amber Riley was great for Audrey II, imo.

But the stage design was pretty ugly all around, as were the costumes, and I didn't like the way they handled Audrey II. Most of the time, she was a normal sized plant (as seen in the preview pics), but they changed it up every time she ate people, and only one of those variations worked well. I get that this isn't supposed to be a slick or glitzy production, but in many ways, it looked amateur.

George Salazar was fine as Seymour, but his singing wasn't very strong. Mj Rodriguez was affecting as Audrey, but noticeably rushing and flubbing her lines throughout. I thought Matthew Wilkas was okay as the dentist, but my husband hated his over-the-top performance. Mushnik was fine.

I know they only started performances a week or so ago, and I am sure the performance issues will improv a little over time. But a lot of the problems with this production are deeper than that.

We're seeing the NYC edition next month, so I am eager to see how that one differs.

sm33 said: "We're seeing the NYC edition next month, so I am eager to see how that one differs."

Yeah I'm seeing the Off-Broadway production in a couple of weeks. I've been avoiding reviews & spoilers but I'm hoping (confident, really) that this production will wash the taste of Pasadena out of my mouth!

I thought having Rodriguez as Audrey was a great idea, but geez that interview just made me question whether anyone involved in the show knew this was a comedy.

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I really appreciate when a director tries something different with a well known show and it succeeds. I loved the Oklahoma! revival and it worked for me because to me the actors, the choreography, the sets and the costumes were cohesive and supported the director’s vision for the show (I certainly know not everyone feels that way). That was just not the case with this production of Little Shop. Some actors were playing the roles comically like George Salazar, Kevin Chamberlin and Amber Riley and others were trying to do something different and gritty like MJ Rodriguez and Matthew Wilkas. Some set pieces and costumes were modern and some were retro. It felt like they needed to make a choice and either go the traditional comic route or go all in with the new gritty vision. The middle ground didn’t work.

Plannietink08 said: "Personally I’d have reinvented LITTLE SHOP by performing it site specific. Having a full functioning flower shop as the setting since the show itself is supposed to be a tiny production."

There is a production that did that earlier this year. It was in Ithaca.

https://www.broadwayworld.com/central-new-york/article/Photo-Flash-First-Look-At-Site-Specific-LITTLE-SHOP-OF-HORRORS-At-Bools-Flower-Shop-20190501

Yeah I don’t think a stripper back Little Shop works. The show is camp. It’s about a plant that eats people...

This is so unfortunate because I was really excited by this casting and I wish we'd gotten Rodriguez/Salazar/Gray in NYC as opposed to the casting we've gotten here.

My thinking on it is this--I think they got so caught up in the diverse casting that they sacrificed the material for it. I think it would've been way cooler for them to have color conscious casting and still do the show in the 50's (60's?) as written. because that in and of itself, is a statement. Modernizing the show without updating any of the references, which legally they can't do, is lazy. If LSOH were written today, it would inherently be a different show. Someone compared the likeness of the design to the recent anchronized OKLAHOMA--and I can't exactly explain why it doesn't bother me as much with OKLAHOMA to have anachronisms than LSOH--but it really does. Also, LSOH can be done scaled back--it's written as a chamber piece--but my god, is thisd design just ugly as all get out. It just looks so uninspired and lazy all around. A real let down.