#1
Posted: 9/25/05 at 4:07pm
So I take in the first act of Miracle Brothers last night.
Tyler Maynard is astonishingly effeminate and slightly hammy (despite his best efforts), but has a gorgeous, reedy voice. The guy who plays his dolphin brother is in lovely voice and is very attractive, but has no charisma. Nobody does, in fact - what steals the show is a ravishing number between Kerry Butler and (I believe) Cheryl Freeman, who deliver a soul-rending duet about their respective sons in absolutely glorious voice. Otherwise, it's talky and yawny and not worth much care. (They try to be funny too, to embarrassing effect.)
Intermission rolls around. Afterwards, we sit back down. The stage manager comes onstage and says "I know this is unorthodox, but a performer has a rough voice right now and for safety reasons we are going to cancel the second act. You can call if you're upset. Sorry!"
Whatever happened to the show goes on?
I think it was the black dolphin brother - he had a ton of singing in the second act and he sounded like he was straining slightly at the end of the first act.
But couldn't he have just sung it more lightly? If he'd done that, we all would have thought he was a trouper, and would have applauded him. But since he opted not to go on at all, the audience thought he was a stinker. (Although many audience members were excited that they wouldn't have to sit through the second half. MIRACLE BROTHERS has no understudies or standbys.)
In any case, I'm peeved and also devastated that the show wasn't so good. I had really high hopes for Kirsten Childs' new piece. I always pray that a new musical will be wonderful, especially at the Vineyard.
Some of the Capoeira was kinda cool though.
Tyler Maynard is astonishingly effeminate and slightly hammy (despite his best efforts), but has a gorgeous, reedy voice. The guy who plays his dolphin brother is in lovely voice and is very attractive, but has no charisma. Nobody does, in fact - what steals the show is a ravishing number between Kerry Butler and (I believe) Cheryl Freeman, who deliver a soul-rending duet about their respective sons in absolutely glorious voice. Otherwise, it's talky and yawny and not worth much care. (They try to be funny too, to embarrassing effect.)
Intermission rolls around. Afterwards, we sit back down. The stage manager comes onstage and says "I know this is unorthodox, but a performer has a rough voice right now and for safety reasons we are going to cancel the second act. You can call if you're upset. Sorry!"
Whatever happened to the show goes on?
I think it was the black dolphin brother - he had a ton of singing in the second act and he sounded like he was straining slightly at the end of the first act.
But couldn't he have just sung it more lightly? If he'd done that, we all would have thought he was a trouper, and would have applauded him. But since he opted not to go on at all, the audience thought he was a stinker. (Although many audience members were excited that they wouldn't have to sit through the second half. MIRACLE BROTHERS has no understudies or standbys.)
In any case, I'm peeved and also devastated that the show wasn't so good. I had really high hopes for Kirsten Childs' new piece. I always pray that a new musical will be wonderful, especially at the Vineyard.
Some of the Capoeira was kinda cool though.
"I am the sound of distant thunder, the color of flame."
CARRIE the Musical
Updated On: 9/25/05 at 04:07 PM