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Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

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#1

Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

A major London revival of the Broadway classic WEST SIDE STORY has been announced.

The revival will be coming to the National Theatre in Winter 2027, co-directed in a new production reuniting directors Marianne Elliott and Miranda Cromwell after their award-winning West End and Broadway revival of Death of a Salesman.

Featuring Jerome Robbins’ original choreography reproduced and adapted by Julio Monge, who was artistic collaborator and consultant on Steven Spielberg’s 2021 film adaptation.

WEST SIDE STORY has a book by Arthur Laurents (Gypsy), music by Leonard Bernstein (On the Town) and lyrics by Stephen Sondheim (Follies).

WEST SIDE STORY will play the Olivier Theatre, National Theatre. Further artistic team, casting, performance dates, and on sale to be announced.

https://theatrefan.co.uk/west-side-story-national-theatre-revival-announced/

Updated On: 9/9/26 at 03:33 PM

#6

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

Elliott is exciting. Cromwell give BIG pause. The SALESMAN Elliott purposefully bailed on - under Cromwell's eventual sole direction was extremely misguided. Cromwell needs Elliott's coattails to ride. Cromwell is unecessary dead weight but Elliott may have other productions in play. It was my understanding Elliott left because of Cromwell. Things must have changed.

Is there a choreographer attached or is it Robbins?

Updated On: 9/9/26 at 05:20 PM

#7

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

RippedMan said: "I know I'm totally in the minority but I really loath this show (Throw your stones, it's fine) but this Director and this Venue.... I'm ready."

I wouldnt say I loath it, but im definitely not a big fan of it and dont really get the fuss. Some great songs and dancing, but I've never really enjoyed the piece as a whole on stage or film.

#8

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

Theatrefan2 said: "RippedMan said: "I know I'm totally in the minority but I really loath this show (Throw your stones, it's fine) but this Director and this Venue.... I'm ready."

I wouldnt say I loath it, but im definitely not a big fan of it and dont really get the fuss. Some great songs and dancing, but I've never really enjoyed the piece as a whole on stage or film.
"

To me it's just never exciting? I don't know. I can respect the music on its own, but I wouldn't say I've ever been exciting to see a production of it.

#11

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

ColorTheHours048 said: "As someone who was in the minority of loving everything about the Ivo van Hove revival, I’d really welcome a truly fresh interpretation from top to bottom. Marianne Elliott is certainly known for that, so I have faith. And what a massive canvas to work on."

Co-sign. I didn't love everything about Ivo's but I loved what I did like.

And I'm intrigued by this combo of directors and classic choreo.

#12

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

RippedMan said: "I know I'm totally in the minority but I really loath this show (Throw your stones, it's fine) but this Director and this Venue.... I'm ready."

Thank Jebus I thought I was the only one.


Well I didn't want to get into it, but he's a Satanist. Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino. This should help you understand the score for Wicked a little bit more. Tazber's: Reply to Is Stephen Schwartz a Practicing Christian
#13

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

CoffeeBreak said: "Is there a choreographer attached or is it Robbins?"

This was in the OP:

Featuring Jerome Robbins’ original choreography reproduced and adapted by Julio Monge, who was artistic collaborator and consultant on Steven Spielberg’s 2021 film adaptation.

#17

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

RippedMan said: "It's always the same choreography so it's like how new and exciting can it be? The Characters are paper thin. But hopefully this staging is enticing."

It lives on in part because it’s paper thin. No offense to them because they’re great men but any version of this show where they try to give the characters “depth” was sure to end up in a garbage bin over time. It works because it’s Romeo & Juliet with genius music and genius choreography. And though some have tried to argue it there is not enough there there in Romeo & Juliet to be offensive in any serious way.

#18

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

RippedMan said: "It's always the same choreography so it's like how new and exciting can it be? The Characters are paper thin. But hopefully this staging is enticing."

I think that was part of the excitement with seeing Van Hove's production. The new choreography was very interesting. I don't know that all the screens worked for me. But for the most part I liked it.

I had to fix a typo. That originally read "for the moist part" & definitely parts of Van Hove's production made me very moist.


...
#19

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

All that Yazz said: "SteveSanders said: "With the Olivier's Drum Revolve, they can do some very interesting things with staging."

Alas it no longer works. I believe they are currently raising £125 million, in part, for it reservation. The last thing I saw where it worked was Frankenstein back in 2012.

it REALLY is quite something when it does work
"

Wrong - I saw Threpny Opera. Pile of wank.


Tuesday
#20

Re: Marianne Elliott and Miranda Cromwell to helm National Theatre's WEST SIDE STORY

RippedMan said: "Theatrefan2 said: "RippedMan said: "I know I'm totally in the minority but I really loath this show (Throw your stones, it's fine) but this Director and this Venue.... I'm ready."

I wouldnt say I loath it, but im definitely not a big fan of it and dont really get the fuss. Some great songs and dancing, but I've never really enjoyed the piece as a whole on stage or film.
"

To me it's just never exciting? I don't know. I can respect the music on its own, but I wouldn't say I've ever been exciting to see a production of it.
"

I agree that the van Hove production actually made the show exciting to me (it felt a lot more visceral in a way even though not everything worked), so I'll also be interested to see another reimagined production.

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