I’ve been listening to the remastered/remixed album since practically the moment it was released. While the original master will always hold a special place in my heart, I love how vibrant all the vocals sound in the 2026 ALW version, like listening to them all singing right beside you, especially Michael Crawford. I always knew he had an amazing voice, but he’ll blow you out of your socks now! I almost wonder if the limitations of the technology back in the day made it so they had to so heavily tone down/equalize his highs and lows to avoid distortion. They were obviously there on the master tape, but on the old finished recording, they seemed to just peter out. Here, they jump right out at you.
While I’m sad that “Seal My Fate” wasn’t part of the restored material (a likely victim of the 3 missing master reels that had to be filled in with the unplayed vinyl pressing), I am so happy the ballet from Hannibal is now included. For anyone who’s a fan of Gaston Leroux’s original novel, there’s a bit of an interesting through-line with that piece: in the book, Charles Gounod’s opera “Faust” is a big part of the plot. A portion of ballet music from “Faust” is eerie similar, if not in precise notes, but in theme, to the ballet music here. I’d be very much surprised if Webber wasn’t going for a bit of a tribute there, given he did consider at one time not writing his own music for the opera sections of “Phantom,” but rather including classical selections from period composers. I’m sure he considered “Faust,” given how it features in the book.