Broadway Star Joined: 5/28/03
I do agree...If it is casted right, and a strong team is onboard than I think Wicked could turn out really good! They have to put Idina and Kristin in it though....it would seem imcomplete without them::
Broadway Star Joined: 8/26/03
Mister Matt said--"I guess the film producers don't have enough faith in the material to offer the role to someone else."
Usually everyone complains that the stage originals get shafted for the movie. Now you complain when the original stars do get the movie roles? I don't understand. Some one call Julie Andrews and check her feelings about this.
Broadway Legend Joined: 6/25/03
They'll all be amazing. I am thrilled that they signed on for the movies. Other casting? Hmmm....
Nicole Kidman could work as Ulla, I think. She would be funny, and could most likely sing the role, if she worked on it.
Wicked and Hairspray will be unbelievable on film. I can't wait for those either!
And think of what this will do for the theater. Ticket sales will boost up, just like they did for Chicago. I find it kind of hard to believe that no one has a positive outlook on what this will do for the theater industry. And these are three of the best shows they could pick on Broadway right now to make into movies.
I don't really see "Wicked" as a movie. I think "The Producers" would work wonderfully and MAYBE "Hairspray," but I think the magic of "Wicked" would be gone if it were made into a movie.
I'm not quite sure what channel I was watching, but one of the news channels was counting down the top 10 stories of the day, and this topic happened to land as number 1.
The commentator felt that a movie version was unneccesary. His side of the story was that the original Producers movie starring Zero Mostel and Gene Wilder was a flawless production and a classic. Why mess with a classic? Well according to him, the musical messed it up and he felt that it just wasn't as great as the original movie.
So now they're going to make a movie based on a musical based on the same movie. He seemed rather pissed off about it, too.
I really can't say anything for myself because I haven't seen the movie or the Broadway show, but this man felt the musical version isn't as great as the original, and to make a movie based on the not-so-good musical would really wreck the whole "Producers' success. Anyone agree?
Updated On: 1/6/04 at 09:23 PM
I'll stick to the original version with Zero and Gene thanks all the same.
The movie is a MUCH smarter comedy than the musical. The musical's all stereotypes and schtick, there's a lot of intelligent comedy in the movie that's nowhere to be found in the St. James Theater every night.
Really, the score to the musical is dangerously close to getting the reaction 'Springtime' gets and I have a hard time believing all of it is intentional. There are a lot of moments in the musical where I was laughing at the material, not with it.
I personally don't want a lot of musicals coming to the movies. I just think musicals are meant to be a live performance.
Bringing these shows to Hollywood simply injects them with botox, dyes their hair blonde, and gives them a set of Double D's.
In other words: the singers you hear in the movie have had their voices remastered and smoothed out to near perfection. They can make almost anyone sound wonderful. I can say that I did enjoy the newest big screen musicals 'Chicago' and 'Moulin Rouge', but I think we should cut back before there is a phenomenon of these movies. Look what happened to the comic book hero genre. Those movies are everywhere!
And Wicked as a movie musical? There are enough Wizard of Oz movies, sequels, and cartoons out there to last you people a life time. I loved Wicked, but don't ruin it by making it into a movie. Let the people spend $100 to see a stunning performance live on stage. That's my two cents!
Updated On: 1/6/04 at 09:35 PM
"In other words: the singers you hear in the movie have had their voices remastered and smoothed out to near perfection. They can make almost anyone sound wonderful."
The same could be said of any recorded voice, though. Broadway cast albums use as much over-dubbing and voice correcting and what not as any other recording.
Some musicals benefit greatly being filmed--The Sound of Music is a perfect example. I think POTO (if done well) will also benefit greatly as a film.
Belasco07 wrote: "THE PRODUCERS is Mel Brook's "love letter" to the STAGE. Unless they seriously revamp the show and make it a love letter to old-time movie musicals, (a la MGM)I don't think it will work. What would THE PRODUCERS be like with out those mechanical pigeons??? Or Gary Beach sitting at the end of the stage doing Judy at the Palace?"
Well, the original film worked, and it was about producing a Broadway musical--no need to switch from stage musicals to film musicals. Of course, the stage production has wonderful theatrical moments--but that is the stage version. There will likely be some great things in the film version, particularly with Stroman at the helm. Why must there be puppet pigeons for the film to work--particularly when the original film didn't need them?
I guess I will never understand why so many people on this site are so negative about film musicals (or even stage musicals of films). Film musicals help promote musical theatre, while entertaining with the use of song in much the same way we enjoy the storytelling of a stage show. Most of us probably first encountered musical theatre because of a movie musical. For me, it was Annie. For others it was West Side Story, Cabaret, or even Chicago. Why are there so many dissenting opinions before the film has even been shot, let alone seen?
That's true. The only difference is that you know those performers are true singers.
A movie version of Wicked will have Angelina Jolie singing "Defying Gravity" while computer animated images fly around her with Anna Nicole Smith stuffed in Kristin Chenoweth's dress screaming from below.
Musicals were meant to be on the stage? Well, tell that to the Golden Era of Hollywood which was full of musicals. The American musical pretty much grew up on stage and screen.
No doubt. Most actors in Hollywood were also singers and dancers back then, but I'm afraid I don't want to watch the current musicals as movies. Updated On: 1/6/04 at 09:44 PM
A lot of people on film and tv are singers today--started out on the stage.
My point is, Moulin Rouge was a success because it was something fresh and new (even though the musical movie was rather old, like you said - the Golden Era of Hollywood), but today's audience is much different, and once the hype begins, there won't be any stopping.
Do you seriously want Hairspray to be another movie based on a musical based on the same movie? Or Wicked?
In my opinion, they won't be as special to see anymore because you could just wait for the release on DVD.
THANK YOU, jrb. I didn't know everyone would be so negative about the whole movie musical thing. "Chicago" was amazing! Look at what the movies can do for some musicals! The musical Chicago is amazing, no doubt, but it helped the show's success as well as bringing us to another version of it that I enjoyed equally as much, if not more.
There is way too much negativity on this topic, I think. I'd love to have Nathan and Matthew's performance preserved on tape. In a movie, too, which will, I'm sure, be extremely similar, if not almost exactly the same to the stage production.
I loved Chicago too. And Moulin Rouge was awesome. I just hope things don't get out of hand. Suddenly all these musical names are coming up as new movies.
Understudy Joined: 8/4/03
I personally don't think that temporal arts can be effectivley captured on film. The Producers is so good imho, I don't think it can top itself. Of course that is my opinion.
Understudy Joined: 8/4/03
Ps Jrb--
I used the pigeon example merely to illustrate the stage conventions that are satirized in the stage version of the show
I want films and plays/musicals that are created with genuine intentions whether they are original or adaptations or even adaptations of adaptations. It just doesn't matter where the story comes from as long as it is told well.
Should I really have a problem with Zeffirelli's film of Romeo and Juliet just because it is a film based on a play adapted from an age old story? Should I also hate Kiss Me Kate because it is a film based on a musical adapted from a play adapted from an age old story?
Heck, even Wicked is a musical based on a book that borrows the characters and events from a book turned play, musical, film, etc.
ps belasco--I know, I just used your example as an example =)
I want to add another thought(s) in the "remaking a classic" argument.
1. A remake isn't going to tarnish the original. If you don't want to see it, don't go--no worries, mate. =)
2. This is a "remake" that includes involvement from the original's creator (Mel Brooks) who also wrote the musical that the "remake" is adapted. I think these are very different circumstances from, perhaps, the Gus Van Sant PSYCHO.
=)
(random stuff)
I was just watching the news this morning and they had a segment announcing about The Producers movie. I mean it's gonna be awhile until the movie is ever goes in pre-production.
Anyway. I guess I was just surprised that them mentioned it on the news (shrugs)
I just hope they don't build it up too much...
Leading Actor Joined: 8/15/03
I have always enjoyed the original movie, which still makes me laugh when I watch it. And though I was not overly fond of the musical (which I did not see with the original leads, however, going back to see them next week...), I did appreciate some of the changes that they made to fill out the plot.
The biggest drawback of this announcement, in my opinion, is that Susan Stroman will be directing. I hope that she has a good DP.
Interesting to me that in the wake of Chicago's boost in ticket sales after the success of the movie, people are touting that movie versions of shows will help theatre sales. Previously, most shows still playing when its movie version was released closed soon after...
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