This saddens me. I never got to catch it last season and was looking forward to it!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
Agree with Dolly. No sense in rushing to Broadway until they are sure that every element is in place. How many shows have failed b (or not been as good as they could have been) because they were fast-tracked to Broadway.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
Agree with Dolly. No sense in rushing to Broadway until they are sure that every element is in place. How many shows have failed b (or not been as good as they could have been) because they were fast-tracked to Broadway.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
It must be a glitch because I KNOW I only sent mine once.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
I know Yank has its devoted fans, but perhaps it would be best to remember it as the intimate, sweet, small show it was at the York and earlier. I fear it would become lost and flat in a too-large house. The score doesn't have the musical expertise of Light in the Piazza or the deft lyrics of Grey Gardens, but is charming in its small way. The book is sweet and slightly unusual, but works because of the closeness/intimacy of the scenes, not largeness.
Like Little Shop, Charlie Brown, [title of show] and others, perhaps this is another small show that won't be served by being inflated.
There have been some significant changes in the book since the York production (with more to come). From what I saw, it's much more compelling, with a greater emphasis on the war and an atmosphere of danger.
I think the score will have some changes as well.
"Hurry up and get into your conga clothes - we've got to do something to save this show!"
[tos] suffered the same fate. Too small and a sweet slip of a show to play in a huge Broadway house. What's the obsession with getting in a Broadway house? Why not have a healthy sell out run for a year off Broadway?
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
"I know Yank has its devoted fans, but perhaps it would be best to remember it as the intimate, sweet, small show it was at the York and earlier. I fear it would become lost and flat in a too-large house. The score doesn't have the musical expertise of Light in the Piazza or the deft lyrics of Grey Gardens, but is charming in its small way. The book is sweet and slightly unusual, but works because of the closeness/intimacy of the scenes, not largeness."
I swear i hear this same argument for every show that was in a smaller theater, with transfer aspirations. If this is the standard we live by then all we'll ever have on Broadway is big shows that make us feel nothing. There are ways to make smaller shows fit into larger spaces. Its called directing and ingenuity.
Was there or is there a cast cd recorded for this or do we have to wait for that too?
Wait and wait and wait...waiting around for the girls upstairs...after the curtain came down....money in my pocket to spend, honey could you get another friend for my friend.....Sorry the song just came to mind....
To seek revenge may lead to hell yet everyone does it but seldom as well......
The way it was staged at the York was definitely unsuitable for a Broadway house. But if they're continuing work on the show, who knows how it stands now? Although the York is an intimate space, I don't think this is a show that feels small the way [tos] does. This isn't four chairs and a keyboard.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Very disappointing, but I do agree that if they are not completely ready, I don't see the rush in getting it in this season...it'll come eventually.
There is a demo recording of the show, but not an actual "cast recording". They are also revising the score as well as adding a few songs. I think the wait will be entirely worth it.
"There are ways to make smaller shows fit into larger spaces. Its called directing and ingenuity."
But it's pretty rare that it happens. Successful small-ish Off-Bway-to-Bway transfers in the last 20 years are Avenue Q, Rent (but NYTW is much larger than the York or the Vineyard), Spring Awakening (no where near as successful as expected - did it pay off?), In The Heights (original theatre also wasn't small), Urinetown? (did it pay off?).
Five in 20 years? Not a good record, I think.
And the flop transfers? Falsettos, Little Shop of Horrors (I know, not really a transfer, but it does fit the small-to-large category), Grey Gardens, Passing Strange, Glory Days, Caroline or Change, [title of show], Spring Awakening, and lots of non-musical plays.
I believe Urinetown did pay off its original investment. And you could also count Next to Normal among the hits, though they had their run out of town before they came to Broadway.
I agree that sometimes more intimate shows don't work in bigger Broadway houses, but I think if Yank! was expanded a bit it could absolutely work in the larger space.