I saw this at an early preview, and to say I was underwhelmed would be an understatement. Audra has no bigger fan than I; I've been glorying in her work since the days of CAROUSEL, and have cheered each and every performance since then. But OSM never came to life that night, and the audience response was tepid at best, and perhaps Audra was still working her way through the play. Still, the opening night reviews were a shock, and I can only think that Leon's direction, which was flat and dull when I saw it, had improved dramatically over the course of a few weeks. Perhaps that is not surprising, but when a paying audience is present, they expect to see a somewhat finished product, and certainly when it's not a big splashy musical, where changes are constantly being made every night as they approach the opening.
As I live out of town these days, I won't be returning to see OSM in what may be a triumph for Audra and Adrienne Kennedy, and I can only wish I had seen the play later.