I think I'm a rare case who generally prefers revival recordings because, as an audiophile, I usually prefer the higher-quality engineering and production (usually-reduced arrangements be damned), so it's great having this score preserved in a much better recording than the original. Still don't love the songs, but at least I can hear these songs in a much more palatable soundscape.
Haven't listened to it all yet, but I don't think it'll knock the CINDERELLA recording from my perch of favorite cast album this year (so far... here's hoping the HARDBODY recording comes up aces.)
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.