My take on the deleted scenes:
1. The extra little snit in the loft -- It's okay. I guess I like it, but it doesn't really do much. I mean, it does have the "my cat had a fall," which is always a favorite.
2. Halloween -- Anthony gives a great performance, but for some reason, it doesn't... really do much for me. I think it needs some closeups to really be emotional.
3. Goodbye Love -- I absolutely love it, and I think the movie needed it. For me, my big trouble with the second "act" of the movie was that it was just too fast. Having this would've slowed it down, and let you really TAKE that stuff -- which I think it exactly what Columbus wanted to avoid. To me, it's integral, and would've made the movie feel so much less rushed. The end of the film just sped by to me, and there really needed to be more. Adam's performance had me really close to tears. Snaps to him.
4. Roger and Taye meet in the bar to reconcile... I don't know. Roger says "thanks for meeting me," and starts it off really awkwardly. I just don't think.... I don't think initiating this is something he would do. It's kind of useless.
5. Alternate ending -- I like it. I like Angel's entrance, when he grabs Collins' hand, etc, and how they cut from one character to the other, the way Mark's movie does, but I think they made the right choice, hands down. Mark's movie was one of my favorite parts of the film, and aside from that, it's far too theatrical. I think that to have them end up back on stage would have been a way of saying to the audience that these are actors, playing parts, and that this is just a story, being told by these people on stage. That transition is something that you can't avoid on stage, but I think it would've taken the film to a really weird place. People are saying that the alternate ending is an homage to the stage version -- but so is the real ending -- it's the same setup, all of them sitting on the table and whatnot. I don't know, I think they made the right choice.
The ones with Benny in them really rounded out his character, and gave him what he was missing in the film as is. That stuff would've done a lot of good, too.
It was so weird to see the movie again.
I'm watching part of the documentary now... the movie part, just for tonight. I'll watch the whole thing tomorrow. Rosario's audition -- yikes! But... whatever they did to make her sound good in the movie, it worked and that's what matters.
As far as Chris' explanation in the commentary for why he didn't put April's suicide in, I feel like... he could've figured it out. I know that's presumptious, but when he chalks it up to something to do with timing and not the material, I think there's got to be a way to have made it work. I probably would've been more satisfied with an explanation that had something to do with the substance of it, rather than something mundane like "I couldn't fit it in the sequence." That's one cut that I'm still not completely at piece with. You don't NEED it there, but I wanted it.
A work of art is an invitation to love.
Updated On: 2/18/06 at 11:44 PM