I think it's often very hard to beat the hugely successful Broadway or indeed London revivals of well known shows... For example, the 1992 "Guys and Dolls" - the 2009 revival didn't come close to it. Also, Nicholas Hytner's widely acclaimed "Carousel" (London 1992 then Broadway 1994). And the 2005 "Sweeney" - while some people didn't take to this interpretation, it will be interesting to see how the next Broadway revival is done...
Any other revivals of late that will be hard to beat in the future?
The Normal Heart (2011 Broadway revival) Mary Stuart (2005 London; 2009 Broadway) Long Day's Journey Into Night (2003 Broadway)
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Two what the two above me said, the LCT South Pacific and 92' Guys and Dolls are definitive. They had perfect casts and well conceptualized productions.
"I think lying to children is really important, it sets them off on the right track" -Sherie Rene Scott-
The Mendes Cabaret. Almost every production of Cabaret since has taken many elements from this revival (the same is true of most productions of Guys and Dolls taking ideas from the 92 revival).
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
Ooh yeah I agree about the Mendes Cabaret and LCT's South Pacific. Also, Mendes' Oliver! which was revived in 2009 by Rupert Goold. That was a fresh approach to a classic, much like his Cabaret and also Bobbie's Chicago... they're all so definitive
Every production I have seen since this revival has taken far more from this production than the original.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
I'm going to go out on a limb and say the 2009 revival of HAIR. Before this revival the only other attempt made to revive the show on Broadway was a critically maligned 1977 revival. Many wrote the show a death sentence: It was dated, no longer relevant and a relic.
The 2009 revival surpassed expectations and it's going to be really hard to top the kind of reception that this revival had from the Delacorte and it's subsequent transfer.
It seems like everyone on this board who saw the original CHICAGO and the revival says that the revival is leagues better--some have even said it completely changed their opinion of the show. That's no small feat.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Whoa whoa whoa there, AC. This poster begs to differ on the Chicago revival surpassing the original. I'm firmly in the give-me-a-full-goosebump-inducing-20's-production-over-the-rehearsal-clothes-concert-staging camp any day of the week. As Fred Ebb properly said, give me the OLD razzle-dazzle.
I stand corrected. However, there was a long discussion about the old-vs.-new CHICAGO on one of the FOLLIES thread; I was going off of the empirical data I saw there. I'll amend my post to say that MANY people on this board (not all) who saw both prefer the new.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I would actually say the recent revival of Sunday in the Park with George would be hard to beat for me. The use of technology was so effective and beautiful for me. (And the performances weren't too shabby.)
I would also add my voice for the 2008 South Pacific revival.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
Since Chicago may never close, I'm not sure if we'll every truly know!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
And the 50th anniversary production of West Side Story.
I'm pretty sure that's a minority opinion.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Which one, then? Wasn't that production billed as the 50th Anniversary Revival?
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I disliked the 2004 Revival of La Cage, and found the last year's was far superior. (I have NO idea how my opinion stacks up against others, however.)
Then what are you talking about, clap?
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I consider the 2008 Gypsy to be definitive in terms of the performances. But as a physical production, not so much.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
--Cartman: South Park
ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
I'm going to go out on a limb and say that most people who saw the original GYPSY would consider that production definitive.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body