joevitus said: "Mr. Wormwood said: "I'm really shocked by the reaction to this. For those who think they should just use makeup, etc to age the actors - isn't that precisely a major problem the original show had? I don't think it had to do with how they looked, it was that they couldn't convincingly play 40 year olds. And for those who say "but what if someone dies?" or "what if they aren't big names?"... so what? Could any of those things happen in 20 years? Of course and they cross that bridge if it does. But why not take the chance because they could end up with something really fascinating."
The major problems the show hasare:
1. Frank is never demonstrated to be worthy of his friends' long, long commitment to him in spite of major personal flaws.
2. The whole issue that a personwho sells out in artmust be aselfish, awfulperson in theirpersonal life, while a person who sticks to their principals as an artist must be a good, loving person in their personal lifeis an embarrassingly childish view of life and the arts.
3.Frank's friends seemed like pathetic, desperately needy types due to their willingness tostick by such a selfish, unkind person so long.
4. Frank is never given a strong motivation to suddenly switch from committed idealist to sell out (and unfortunately, as Sondheim was one who never sold out and was with this very show writing his most unpopular score in the Prince/Sondheim cycle yet, the storycame across as self-righteous and self-congratulatory: "I'm good and wonderful and earnest, not a horrible person like those popular, sell-outs." I'm sure this was not intentional. But it come across nonetheless.)
5. Because the show runs backwards, the script hasto constantly fill us in on what "already happened" (i.e. the the scene after the present one) so weunderstand what the tensions are, and between that and the song spots, there is no room for real character development, and thus everybody comes off as stick figures.
6. On a production level, unless the show is done without costumes, there is nearly zero time for the lead actors to get offstage, changed, and back on, and this plus a giant production number near the end of the first act followed by a rousing song for the three needs at the end of the first act means that the show absolutely kills the performers doing it.
***
Old age makeup had zero do to with the show's problems.
For all the problems with the book, the score is melodic, moving, funny and inspiring. It's frustratingly married to an unworkable book."
I didn't say it had anything to do with old age makeup. That was the point I was making, that makeup wouldn't help fix it.
I don't disagree with your points, but I have also read somewhere (sorry, can't remember where) that the creative team felt like the young actors in the original production had a lot of difficulty playing characters approaching middle age for the part of the show that required them to. I think the movie can at least fix that aspect.