The Hal Prince '90s revival was a terrific production. The show is anything but stale. So yes, revive away ... as long as it isn't given to a hack director/choreographer.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
No. There've been several, and the Prince version would be almost impossible to top at this point. Besides, there are countless other shows equally deserving of revival: BOYS FROM SYRACUSE, for example — a great score, a fun book, an easy-on-the-budget physical production.
I'm looking forward to seeing it at Lyric Opera (with Nathan Gunn and Ashley Brown) when I'm in Chicago next month.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
I'm with Sean--I'd give it another ten years at any rate. I'm a huge Show Boat nut, but with all the massive variations in text from production to production, I felt the Hal Prince version was as definitive as a contemporary production could or should be, and I can't see it being topped. (As much as I'd love to see some sort of recreation fo the Ziegfeld production with songs I love but few others seem to like Hey Feller and In Dahomey restored and that picture postcard Urban set but it would be too expensive, would never get an audience, too controversial and, again too expensive, so...)
As long as nobody tries to do something like Eric Shaeffer/Signature Theatre's horribly ill conceived "modern/intimate" production of a couple years back...
Eric, you are not alone: I love "Hey, Feller!" and "In Dahomey" so much. I want Laura Benanti as Julie, but only if she does her Obsessed!/Terrible version of "Bill." I would pay front row for that.
But just think of the possibilites! The black characters can all play either the banjo or the harmonica, which would make some sort of brand new, exciting, ironic political statement. And really with all of those characters, the musical landscape is endless. I see Parthy with a kazoo, myself.
(OK, I'll go to my room... )
I wish there was somewhere to see colour reproductions of the Urban set--the photos in that Complete Show Boat book from the 70s are amazing. It's such a fascinating show, even just in regards to how many versions exist. I think Prince did a good job of studying the various texts and making a (to me) definitive modern mix of them--just when the show was strting to fall into many overly sentimental, corny versions (though I would like to see the full 80s Papermill version which I believe tried to go back to the original in some ways and was televised on Live from Lincoln Center--I've only seen the two youtube clips).
Aw man, the RNT CAROUSEL was amazing: imaginative, stylish, stunning. But you had a director with vision working that one, as well as a design team that knew what to give to support that vision, and as a result, it all worked gorgeously. I wish that one was on video.
That Hytner production of Carousel was near perfection (it did bother me that everyone saw it as a re-imagining while, kinda like Prince's Showboat, I think it was more about a musical that had got watered down over the years in nostalgia) was one of my favorite theatre experiences as a teen. I basically lived for what came near us on tours, and saw it on tour with Patrick Wilson (who I remember as being great) as Billy. Actually I guess a year or so before I saw Show Boat in its Vancouver production (aww the days when Livent existed and owned the Ford in Vancouver so we wouldn't have to wait on the West Coast for years to see a tour on its last legs...)
Give it a few years and cast Glee's Naya Rivera as Julie.
In a few years, the Les Miz movie will be out and Taylor Swift will be looking to do Broadway, so she could play Magnolia.
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.