nativenewyorker2 said: "If the today tix availability chart is accurate then they’ve only sold five tickets to their fifth preview three weeks from now?"
Ticketmaster is the official seller, not TodayTix, and if you go on there, you can see that they’ve sold a lot more than 5 tickets.
First song video was released and it is definitely not what I was expecting. I wonder if this is the downtempo song amidst a lot of the more upbeat country songs.
chrishuyen said: "First song video was released and it is definitely not what I was expecting. I wonder if this is the downtempo song amidst a lot of the more upbeat country songs.
akhoya87 said: "chrishuyen said: "First song video was released and it is definitely not what I was expecting. I wonder if this is the downtempo song amidst a lot of the more upbeat country songs.
The style of the score is so hard to describe because it's DEFINITELY not country "twang" even where the arrangements/orchestrations lean into that sound. It's extremely tuneful, even in the uptempos.
The opening number is big and fun and FUNNY and I wrote this in my post after seeing it in SLC: Alex Newell sings the top note in the final cord with such fervor (and yet ease) that it made me GIGGLE. HA HA HA
Don't sleep on Shucked. I happened to grab a ticket by accident just because I was in town. It ended up being the couple hours of laughter and joy that I didn't know I needed. And, wowza, that cast can SING.
Thanks for sharing that link. I had missed it and look forward to them releasing more and more of the score.
Second to Prima Facie, Shucked is my most anticipated show for Spring 2023. I think it will be fun and hopefully have a lot of heart. This new song has me excited. It is pretty and I want to hear it again. Brandi Clark's 2021 album Your Life is a Record had quite the spin in my rotation.
Updated On: 2/24/23 at 09:17 AM
Am I the only one in shock by the amount of positive buzz I am seeing about this on Tiktok? Has anyone actually heard anything or is it just a smart marketing play?
hearthemsing22 said: "I seriously truly wish people would give shows a chance instead of hearing the concept and immediately writing it off."
I am giving it a chace, but from what I am seeing on tiktok is all out raves. I am just shocked how the show had absolutely no buzz until this point if it is as good as these people are saying.
The reviews from the tryout in Salt Lake City were all very enthusiastic, saying that it was Broadway-ready, so it's not that surprising to me that the positive buzz is continuing here. I guess it depends on how much stock you put in reviews from Utah, but I was convinced that they had something good on their hands.
The show in its SLC incarnation had a very funny book and a fine score with earnest lyrics. Unless this problem has been resolve for Broadway, the show is at odds with itself
"It does what a musical is supposed to do; it takes you to another world. And it gives you a little tune to carry in your head. Something to take you away from the dreary horrors of the real world. A little something for when you're feeling blue. You know?"
quizking101 said: "Voter said: "Performances start in 1 week and we know nothing about the show … do we think this strategy will pay off? Because honestly … I don’t"
We knew nothing about KPOP except that it was about...KPOP - and look what happened there.
The lack of information is really just annoying at this point. It's been proven time and again that opaque/vague descriptions of new shows don't help."
I am guessing your not on social media as they have made multiple videos on the plot.
quizking101 said: "Voter said: "Performances start in 1 week and we know nothing about the show … do we think this strategy will pay off? Because honestly … I don’t"
We knew nothing about KPOP except that it was about...KPOP - and look what happened there.
The lack of information is really just annoying at this point. It's been proven time and again that opaque/vague descriptions of new shows don't help."
Slightly off topic as it's only slightly Shucked specific, BUT I suppose this is why we've been subjected to so many movie adaptations. I guess Shucked is showing just how hard it is these days to replicate the tens of millions of dollars movie studios make in their titles.
They have a quasi tv/theater-name that is capable of selling a certain amount of tickets, have Kevin Cahoon who is on tv, has been around town a long time, and is extremely well-liked, they had what seemed to be an extremely successful out-of-town try-out, and it doesn't seem like their advertising and marketing budget is meager as they had a very wide-reaching mailer (last week?), have a rather prominent subway campaign, have quite a digital spend (I think I went to the website once, but seem to get a LOT of targeted ads), and have rather compelling video content. (The video of the two songwriters really got my attention... and I SAW (and loved) the show in SLC.)
I wonder what the cost to -- or what it takes in general for a wholly original musical to -- replicate how well known even the most unappealing movie-to-stage adaptation is by the time it gets to town.
Certainly changes the point of -- and what you need to achieve with -- your out-of-town, I suppose.
Curious: of the other new plays and musicals that aren't based on existing properties and have opened post-pandemic, do you (no one specifically) feel like you know less about Shucked? KPOP had a very talked about run at the Ars Nova, so there were quite a lot of people in town who knew about it and actually liked it. (Though, I'm not trying to start a discussion about the differences in the production between Ars Nova and Broadway here! THAT would be off-topic for this thread.)
As someone who's coming to New York City in a couple of weeks, I have been reading about everything available we could possibly see. Shucked, like a lot of original musicals, is facing a familiar challenge. For all I know, it could be the best musical of the season, and if it was playing a Wednesday matinee the week we'll be there, it seems like an ideal light comedy before plunging into the Sweeney Todd revival that evening.
But it's not, and I already have bought tickets for two of the shows I'm planning to see. That leaves one opening for Shucked, in its first previews, with what sounds like a deliberately corny, Music Man-style premise. I might love it, I might think it's dumb. It's riskier for that reason and a harder sell for my spouse. I know I can see major musical revivals, an acclaimed play, already-reviewed new musicals, and the current favorite of Best Musical - also original.
Out-of-town tryouts for original musicals, and I have seen my share at this point, tell me a little but not necessarily a lot. Local reviewers tend to be polite. Same with audiences. Everyone just overlooks serious flaws in the book, score, direction, acting, or all four. It's hard to succeed on Broadway with an original story and no stars, but movie adaptations are no guarantee either. Otherwise, a number of shows in recent seasons would be hits.