If ever a show screamed for an out-of-town tryout, this is the one.
I looked forward to seeing this show more than any other, including Hamilton, and after seeing it, tonight, there is no way this can be "fixed" and turned into what I had hoped it would be.
The good: the cast, the cast and the cast. There is so much talent on that stage, it's truly astonishing. The lighting design, which I hardly ever notice, is exceptional and works very effectively. The tap dancing is excellent. Brooks Ashmanskas, whom I never warmed to until he made me laugh in Something Rotten, is remarkably good, here and has won me over, as a fan.
The bad: The book is a mess. Act One is more entertaining than Act Two, but it is simply a paint-by numbers "telling not showing" (..and then we did this..and then we did that)...at no point did the book make me care about any of the characters (if we care, it's because of their place in history and what we know they accomplished, not the show making us care). There is too much tap-dancing and no other kind of dancing. It is repetitive and, while, exceptionally performed, it all becomes the same thing. I love tap, but, I was aching for a soft-shoe or something other than tap (I would have even settled for a dream ballet). The epilogue is endless and, while, important, should be streamlined and move more quickly.
I had to fight to stay awake during Act Two. I was, simply bored (and so disappointed). The series of well-done and well-delivered 11 o'clock numbers in the second act seem in line with the way the evening has gone. Nobody has earned their number, least of all, the wonderful Billy Porter. At some point in act two, I started to think which actress would beat Audra for the Tony, this year, because this is not material, with which, she can win.
The audience reacted enthusiastically to much of the show, but I couldn't tell if it was the parts of the show or the whole.
In all, I'm glad I saw it, but I would rather have just seen a revival of Shuffle Along, so I could see what is so wonderful about it, instead of just hearing about it from the cast of characters.