“On your knees, citizens of Broadway,” Ben Brantley’s review in The Times began. “A superwoman walks among you.”
I thought that was one of the most bizarre bits of hyperbole in a review since Walter Kerr said "Let me tell you about Sandy Dennis: No home should be without one." (Or something like that). Many people felt a good performance had been treated like the 2nd coming, and I still recall attending and hearing "She's good, but she's not THAT good." Murphy was perfectly wonderful in the show, but it wasn't the "event" performance that many assumed, and I thought she ended up with a lot of "show me" members of the audience.
I raise this because I still think it was a factor in the building backlash: that she had been overpraised to begin with. I recall the chatter on these boards, as everything Murphy did was debated, parsed and deconstructed. Never as funny as Roz Russell, she brought real musical theater chops to the show and made the numbers more traditional. So that had to be an extra strain on Murphy, since the very element that gave her Ruth the most distinction was the hardest on her physically. I will no doubt be raked over the coals for suggesting her vocals were the defining element, but to me -- someone who knows the show well, and the Russell Ruth -- it was Murphy's "real" singing that defined her Ruth.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 5/12/12 at 11:34 AM