It's weird that tickets are going on sale next week without us getting actual dates/schedule, like yeah there are events on the calendar but they're all listed for 12am which I doubt is the actual performance time.
I don't think the entire run will sell out on the first day of presale but I might wonder about the first preview specifically which was ljay's concern - though they might easily hold tickets back for each release as is common in pre-sales?
I think there would be 500 people in New York City and beyond that will want to be there for the first preview. Not a load of tickets and it's Sondheim's very last show ever.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Hmm. I think the demand will be far greater for this because Sondheim is gone and it’s completely brand new. Road Show/Bounce had been around for several years before the Public.
Plus Joe Mantello is as a prestigious theatre director they come and maybe they have a couple theatre names in the cast. This wouldn’t mean anything if it was going into idk the Broadway theatre but for a small off Broadway theatre it starts to mean more. If it really was important to be there I’d just shell out for the upgrade especially if it means you might get a better or more affordable choice of seat (eg what if they have some insane premium tickets in prime orchestra and scraps at the back? Idk). It’s hard to say though.
There are probably enough NYC theatre professionals that want to be there let alone the public.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
And also let’s just wait to see who is announced for the cast. As great as the cast of “Road Show” was, they weren’t going to get people to break the bank for tix.
Is it too early to ask for a cast recording and maybe a Broadway transfer while we’re at it :p?
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Jordan Catalano said: "And also let’s just wait to see who is announced for the cast. As great as the cast of “Road Show” was, they weren’t going to get people to break the bank for tix."
I think a small revival of one of Sondheim’s “problem shows” over a decade ago while he was still alive is quite a bit different than the posthumous first production of his final musical. They could cast whoever they want and it’ll sell. Stars would just be the gravy.
> I think a small revival of one of Sondheim’s “problem shows” over a decade ago while he was still alive is quite a bit different than the posthumous first production of his final musical. They could cast whoever they want and it’ll sell. Stars would just be the gravy.
i largely agree with this ... but let's remember this is only [ insert your preferred speculative supermajority number here] percentage Sondheim. It might end up ****e.
I say this largely in response to the aspirational post wishing for a Broadway transfer; i'm too old to be naive, but i'd like to believe that if this new adventure is BAD, the theatre community will have enough respect to let it lie.
And to Jordan, who is infinitely wiser than myself on things theatre: I saw Road Show at the Public as well as two of its previous incarnations. As for the former not being a revival: eh.
Glad we became members for this! Received an email an hour ago:
It's a great time to be a Shed member! Join us this fall for the highly anticipated world premiere ofHere We Are,the new musical from Stephen Sondheim and David Ives. Two-time Tony Award winner Joe Mantello will direct a soon-to-be-announced cast.
Tickets will be available Thursday, July 20.
Members have access to presale tickets ahead of the general public:
Maker and Builder 3 members Tuesday, July 18 at noon EST
Builder 1 and 2 members Tuesday, July 18 at 2 pm EST
Movers members Wednesday, July 19 at noon EST
Drawing inspiration from two iconic films of Luis Buñuel, The Discreet Charm of the Bourgeoisie and The Exterminating Angel, this captivating new musical is the final masterstroke of the late Mr. Sondheim’s legendary career.
Performances begin September 2023. Join as a member today to access presale tickets ahead of the general public starting July 18! Plus, members at the Builder 1 and above level get 15% off tickets.
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
I'm on the fence about upgrading. It's $90 to upgrade, but let's say the tickets are $150 and I can get a date I want and save $45 (assuming I'm buying a pair) with the upgrade? That sounds like it might be worth it. I'm obviously not hoping for prohibitively expensive tickets. But, the higher the ticket price and the closer that that 15% gets to $90, the more enticing it is.
Also curious if this will be a one price only thing or if it'll have a full spread.
I stand corrected on the technicality of it not being a revival, but it did have prior life under different titles. Revisions or not, I wouldn’t consider Road Show wholly “original” in the way that - for example - Here We Are will be.
> I stand corrected on the technicality of it not being a revival, but it did have prior life under different titles. Revisions or not, I wouldn’t consider Road Show wholly “original” in the way that - for example - Here We Are will be.
^ this.
i saw Road Show, Bounce, and Gold. My (possibly self-obscured) point was that if Road Show was technically not a revival, it felt sufficiently proximate to its predecessors to be in the same zip code as one ...