Posted: 4/8/17 at 3:35pm
I'm selling two tickets to Sunset for Sunday 4/9, very good center front mezzanine seats including an aisle. Selling below face value and below current discounts. Please PM me if interested.
Posted: 4/8/17 at 8:56pm
My 18 year old son and I were in NJ visiting colleges and we decided on a whim to stay over in NYC to see a show. We come into NY 2 - 3 times a year to see shows. He is a "theater kid" but his tastes run to more of A Gentleman's Guide and Something Rotten. We got caught in a thunderstorm late afternoon Thursday in the TKTS line but managed to get 2 2nd -to-last row orchestra tickets to the show. This was my pick, not his, but I wanted to see this since I heard it was coming. I knew it would be good, but I was unprepared for how much Glenn Close's performance really got to me. She simply was Norma Desmond. I feel like I have seen one of the rare performances of a lifetime - it was a privilege to be in the audience. And my son loved it, too - he hasn't stopped talking about it. So happy we got to share this moment.
Posted: 4/8/17 at 9:14pm
I brought at the theatre , 3 minutes after the show had started on Feb 25th and was given a 99.00 buck seat 2nd row middle in the orchestra. I went to buy for the 8.00pm show and was told go now really great seat. Sometimes it's better to buy on the day
Posted: 4/9/17 at 12:14am
xmaschild said: "My 18 year old son and I were in NJ visiting colleges and we decided on a whim to stay over in NYC to see a show. We come into NY 2 - 3 times a year to see shows. He is a "theater kid" but his tastes run to more of A Gentleman's Guide and Something Rotten. We got caught in a thunderstorm late afternoon Thursday in the TKTS line but managed to get 2 2nd -to-last row orchestra tickets to the show. This was my pick, not his, but I wanted to see this since I heard it was coming. I knew it would be good, but I was unprepared for how much Glenn Close's performance really got to me. She simply was Norma Desmond. I feel like I have seen one of the rare performances of a lifetime - it was a privilege to be in the audience. And my son loved it, too - he hasn't stopped talking about it. So happy we got to share this moment."
So happy for you and your son xmaschild. My mom and I saw the original together in 1994 a week after it opened on Broadway and then saw it this February a week before it opened. It remains one of our all time favorites - and both of us have felt the revival was better and more effective than the original. Havent gotten that score out of my head 2 months later
Now if they would only do a new recording
Posted: 4/9/17 at 10:44am
For comparison's sake, my husband and I re-watched the original Gloria Swanson film last night. Swanson played the character like a madwoman right from the start, where the musical seems to depict her more as deteriorating over time, which I found more sympathetic.
It had been many years since we'd seen the film and I was surprised by how flat the last 10-15 minutes felt to me. Beginning with "the phone call", the proceedings felt relatively low-key and lacking in dramatic tension compared to the musical. When Betty arrived at the house, the interaction between she and Joe appeared almost playful at times; he didn't seem as bitter and disgusted with himself as the character does in the stage production. To Andrew Lloyd Webber's credit, the scoring of the musical at this point is far more threatening and fraught, and makes for a more compelling finale.
Also, I noticed that the film places the thunderstorm on New Year's Eve, where the musical (if I recall correctly) moves it to the final scene, which again serves to heighten the tension of the sequence.
I even found Norma's final descent of the staircase (and into complete madness) less gripping and engaging than in the musical. I didn't feel for Ms. Swanson's Norma at this point like I did for Ms. Close's character. Both are at times funny due to the inherent camp factor, but with the stage show my reaction oscillated between amused and heartbroken.
Posted: 4/9/17 at 11:19am
xmaschild said: "My 18 year old son and I were in NJ visiting colleges and we decided on a whim to stay over in NYC to see a show. We come into NY 2 - 3 times a year to see shows. He is a "theater kid" but his tastes run to more of A Gentleman's Guide and Something Rotten. We got caught in a thunderstorm late afternoon Thursday in the TKTS line but managed to get 2 2nd -to-last row orchestra tickets to the show. This was my pick, not his, but I wanted to see this since I heard it was coming. I knew it would be good, but I was unprepared for how much Glenn Close's performance really got to me. She simply was Norma Desmond. I feel like I have seen one of the rare performances of a lifetime - it was a privilege to be in the audience. And my son loved it, too - he hasn't stopped talking about it. So happy we got to share this moment.
I love reading this, and of course I absolutely agree. I have never seen anything like this...she transforms herself into the character completely, it's very rare. Since the moment she sings "Surrender", which sounds like a lullaby, I forget it's Glenn Close, that big Hollywood screen siren, and you just think of Norma.
Posted: 4/9/17 at 12:46pm
I caught a matinee of Sunset Boulevard 2 weeks ago and never really got around to a review, but I was simply blown away by everything! Glenn Close gives a performance I feel lucky to say I've witnessed. I got chills during "As If We Never Said Goodbye" and I LOVE that the cast applauds onstage. Must truly be something special for them to be a part of it every night. The rest of the cast is great as well. Run to see it before it closes!
Side note: I got a rush ticket about 2 hours before the show and it was orchestra row T center. Perfect seats!
Posted: 4/9/17 at 2:10pm
Lot666 said: "For comparison's sake, my husband and I re-watched the original Gloria Swanson film last night. Swanson played the character like a madwoman right from the start, where the musical seems to depict her more as deteriorating over time, which I found more sympathetic.
It had been many years since we'd seen the film and I was surprised by how flat the last 10-15 minutes felt to me. Beginning with "the phone call", the proceedings felt relatively low-key and lacking in dramatic tension compared to the musical. When Betty arrived at the house, the interaction between she and Joe appeared almost playful at times; he didn't seem as bitter and disgusted with himself as the character does in the stage production. To Andrew Lloyd Webber's credit, the scoring of the musical at this point is far more threatening and fraught, and makes for a more compelling finale.
Also, I noticed that the film places the thunderstorm on New Year's Eve, where the musical (if I recall correctly) moves it to the final scene, which again serves to heighten the tension of the sequence.
I even found Norma's final descent of the staircase (and into complete madness) less gripping and engaging than in the musical. I didn't feel for Ms. Swanson's Norma at this point like I did for Ms. Close's character. Both are at times funny due to the inherent camp factor, but with the stage show my reaction oscillated between amused and heartbroken.
"
Lot - couldn't agree with you more. The movie - and the original productions/direction by Trevor Nunn - really was almost too cautious in trying to recreate the movie in a musical reincarnation. From the first moments of both the film and the original production, you felt that Norma was a delusional, arrogant, bitch. Her "Surrender" was more comical and her fit of fury to "Once upon a time not long ago..." just came off as furious - replicating the movie "I am Big"
What Lonnie Price and Glenn Close have done (SPOILERS AHEAD)
this time around has made Norma a woman who was treated terribly by the studios and the fans who have forgotten her. Unable to deal with that reality she has clung to this ridiculous thought of making a return (enabled by Max). So from the moment she first descends the stairs to grieve the death of her pet - you see this tragic character. And because Joe isn't being played as manipulative as he was in the film and the original - even he's somewhat sympathetic.
That's why in this production the New Years scene seems less like the suicide attempt being staged as an attempt to make Joe feel trapped and more real... Norma starting to recognize no one really loves her causes her to slit her wrists. Joe feeling responsible and some affection for her plight causing him to stay.
It's kind of the frog being put in a pot of water, and doesn't notice its' getting hotter and hotter as the heat is turned on to eventually boil him to death. Which makes the finale that much more dramatic and thrilling. Honestly - this production is a vast improvement over the original production and does enhance or take the story in a bit of a different direction than the film - which should be the point in musicalizing a film. I can't wait to go back to see this again.
Posted: 4/11/17 at 4:38pm
florida theatre kid said: "
Side note: I got a rush ticket about 2 hours before the show and it was orchestra row T center. Perfect seats!
"
How much did this ticket cost?
Posted: 4/12/17 at 9:46am
Over in the 2017-2018 Touring Season thread, folks are mentioning rumors of Sunset going on tour. Have any of you fans in this thread heard such stories?
Posted: 4/12/17 at 10:29am
Lot666 said: "Over in the 2017-2018 Touring Season thread, folks are mentioning rumors of Sunset going on tour. Have any of you fans in this thread heard such stories?
"
So far we've heard:
- Sunset is extending on broadway with a new leading lady taking over (for the summer)
- Sunset is going to LA at the Ahmanson Theatre
and now - Sunset is going to tour
Just like the old days where there was tons and tons of gossip and rumors about the show!
It does seem like something is up. Michael Xavier in a recent interview said he wasn't leaving NY in June and when pressed said something like "nothing definite at the moment". So who knows
Posted: 4/12/17 at 10:47am
I disagree with those who say Swanson wasn't sympathetic as Norma. What Swanson did inject into the character was this almost manic energy, which would make sense as she's only 50 in the movie but already a recluse. I think Swanson's interactions with Cecil B. DeMille are heartbreaking, and her Charlie Chaplin imitations as well as footage from her silents proved that she was a great actress. But most all I think the huge difference between Sunset the movie and Sunset the musical is that Sunset the movie is grittier, with more dark humor, and Sunset the musical is played more like a tragedy. For instance William Holden is more obviously a washed up, drunken rent boy in the movie than Michael Xavier in the musical.
Posted: 4/12/17 at 11:03am
chernjam said:
So far we've heard:
- Sunset is extending on broadway with a new leading lady taking over (for the summer)
- Sunset is going to LA at the Ahmanson Theatre
and now - Sunset is going to tour
Just like the old days where there was tons and tons of gossip and rumors about the show!
It does seem like something is up. Michael Xavier in a recent interview said he wasn't leaving NY in June and when pressed said something like "nothing definite at the moment". So who knows
As I've said before, I would love the chance to see Betty Buckley again, but my dream Norma, at this point, is Meryl Streep.
Posted: 4/12/17 at 12:48pm
chernjam said: "So far we've heard:
- Sunset is extending on broadway with a new leading lady taking over (for the summer)
- Sunset is going to LA at the Ahmanson Theatre
and now - Sunset is going to tour
Just like the old days where there was tons and tons of gossip and rumors about the show!
It does seem like something is up. Michael Xavier in a recent interview said he wasn't leaving NY in June and when pressed said something like "nothing definite at the moment". So who knows"
Mr Xavier aside, what I'd like to know is the source of these rumors. Folks always seem to post "I heard that...", which is maddening! We have no idea whether the notion came from a credible source (e.g., someone associated with the production), or simply someone else's wishful thinking.
Posted: 4/12/17 at 12:49pm
CT2NYC said: "...I would love the chance to see Betty Buckley again, but my dream Norma, at this point, is Meryl Streep."
Ms. Buckley, please!
Can Ms. Streep sing this?
Posted: 4/12/17 at 1:09pm
Lot666 said: "CT2NYC said: "...I would love the chance to see Betty Buckley again, but my dream Norma, at this point, is Meryl Streep."
Ms. Buckley, please!
Can Ms. Streep sing this?
Not sure, but I always assume she can do anything.
"
Posted: 4/12/17 at 1:28pm
There are a lot of "A List" actors I can imagine would be great in the role- I just wonder about that whole "replacement" stigmata that still bugs certain actors of that caliber.
I would love to see someone with a fresh take step into the role, even though I am a HUGE Glenn Close fan, another high profile new Norma would be amazing!
Posted: 4/12/17 at 1:32pm
Lot666 said: "
Mr Xavier aside, what I'd like to know is the source of these rumors. Folks always seem to post "I heard that...", which is maddening! We have no idea whether the notion came from a credible source (e.g., someone associated with the production), or simply someone else's wishful thinking.
"
Some of these rumors can be traced to Michael Riedel from the NY Post - who I'd say is 65-70% accurate on things. He loves to stir the pot
Posted: 4/12/17 at 1:36pm
poisonivy2 said: "I disagree with those who say Swanson wasn't sympathetic as Norma. What Swanson did inject into the character was this almost manic energy, which would make sense as she's only 50 in the movie but already a recluse. I think Swanson's interactions with Cecil B. DeMille are heartbreaking, and her Charlie Chaplin imitations as well as footage from her silents proved that she was a great actress. But most all I think the huge difference between Sunset the movie and Sunset the musical is that Sunset the movie is grittier, with more dark humor, and Sunset the musical is played more like a tragedy. For instance William Holden is more obviously a washed up, drunken rent boy in the movie than Michael Xavier in the musical.
"
Good points Poisonivy... (I think I was the one to make that comment) I guess I forget sometimes that Swanson ORIGINATED Norma and that the film is the basis of the story- so comparing Normas really is difficult on a bunch of different reasons. I suppose it's more accurate to compare Norma to Norma in different incarnations of the Musical. That being said, what Close- Xavier and the rest of the cast under Lonnie Price's direction has done for this work I find to be the most moving version of the musical so far.
Posted: 4/12/17 at 2:07pm
chernjam said:
Some of these rumors can be traced to Michael Riedel from the NY Post - who I'd say is 65-70% accurate on things. He loves to stir the pot
In fairness- Riedel is a HUGE Sunset fan...he has gone on record many times saying it is one of Webber's best scores. I also know he is a MAJOR Buckley fan, so I wouldn't be one bit surprised if he isn't fueling a lot of these rumors HOPING something will come of it.
Posted: 4/12/17 at 7:24pm
castlestreet said: "chernjam said:
Some of these rumors can be traced to Michael Riedel from the NY Post - who I'd say is 65-70% accurate on things. He loves to stir the pot
In fairness- Riedel is a HUGE Sunset fan...he has gone on record many times saying it is one of Webber's best scores. I also know he is a MAJOR Buckley fan, so I wouldn't be one bit surprised if he isn't fueling a lot of these rumors HOPING something will come of it.
"
Very, very true... and I'm all in favor of it if it accomplishes that goal :) Of all ALW's shows on broadway right now, it saddens me that this one is a limited run. That's just me though... Its one of my favorites, so I'm obviously biased
Posted: 4/13/17 at 8:28am
I seem to recall reading somewhere that the Charlie Chaplin routine was included in SB v1 with Ms LuPone. To me, the scene felt out of character in the movie and I'm glad it's not in the musical. I thought Ms. Swanson looked ridiculous doing that (she certainly didn't look alluring to Joe); it felt juvenile and "beneath" her character, who was otherwise always so grand. My mind just couldn't make the plausibility leap from a woman who used such an extravagant cigarette holder (for example) to one playing "dress up" like an eight year old girl.
Updated On: 4/13/17 at 08:28 AM
Posted: 4/13/17 at 9:10am
Lot666 said: "I seem to recall reading somewhere that the Charlie Chaplin routine was included in SB v1 with Ms LuPone. To me, the scene felt out of character in the movie and I'm glad it's not in the musical. I thought Ms. Swanson looked ridiculous doing that (she certainly didn't look alluring to Joe); it felt juvenile and "beneath" her character, who was otherwise always so grand. My mind just couldn't make the plausibility leap from a woman who used such an extravagant cigarette holder (for example) to one playing "dress up" like an eight year old girl.
"
I understand the point your making. You have to keep in mind though that to that era of screen star, Chaplin was a God. I always thought the scene in the movie demonstrated how desperate she was to keep Joe engaged and his mind from wandering.
Posted: 4/13/17 at 9:25am
Lot666 said: "I seem to recall reading somewhere that the Charlie Chaplin routine was included in SB v1 with Ms LuPone. To me, the scene felt out of character in the movie and I'm glad it's not in the musical. I thought Ms. Swanson looked ridiculous doing that (she certainly didn't look alluring to Joe); it felt juvenile and "beneath" her character, who was otherwise always so grand. My mind just couldn't make the plausibility leap from a woman who used such an extravagant cigarette holder (for example) to one playing "dress up" like an eight year old girl.
"
I think that lasted one or two previews of Sunset... I had seen a video of it (and they're might be a pic in the "Sunset Blvd from Movie to Musical" book - will look when I'm home on Easter)
Posted: 4/13/17 at 10:55am
I'll snap a picture from the OLC souvenir book tonight and post when I get home!
