ACL2006 said: "this has to be one of the biggest flops of this decade [so far]:
"
Redwood?
goldenboy said: "It's a musical that just didn't work. Stop beating up our wonderful creatives."
The wonderful creatives failed miserably with QOV. Not beating anyone up, just speaking the obvious truth. This show was a horrible mess, and the subject matter was extremely tone deaf. The "wonderful creatives" failed miserably by not listening to any feedback from the out of town tryout--
Stand-by Joined: 8/19/22
shomeika said: "ACL2006 said: "this has to be one of the biggest flops of this decade [so far]:
"
Redwood?"
They said they are only counting shows that didn’t reach 100 regular performances. Redwood had 110 regular performances.
It's been interesting to note now often Redwood is cited as context. Yet other than the obvious connection to Chenoweth, its a show with almost zero parallels to Queen. In content, style, and comparatively modest presentation, not similar at all. It offered a relatable tale of a grieving woman's journey to self-forgiveness if not closure. We can mock its wide-eyed belief in Thoreau's Walden for spiritual and corporeal reinvention, its New Age twee-ness (naming of a tree as a character). But the show invited us in, and in its earnest endorsement of transcendence, moved many. I saw a Wednesday matinee with a house full of sniffles at the end.
And one random annotation if we're highlighting post-Wicked trajectories: Menzel came back to limited acclaim (and a Tony nomination) in If/Then, which ran a year, and even toured. A Best Musical nomination, no less, which some forget. No, not a hit. Not beloved (full disclosure: I liked the score a lot). But certainly respectable. My subjective take: If/Then feels like Company next to Queen.
Stand-by Joined: 8/19/22
Soaring29 said: " him being assassinated was a terrible moment."
Only if you're a MAGA asshole.
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