But it's kind of BS. Plenty of us can handle hearing songs not sung exactly like they did in the movie. The set of expectations I had was that it would be well sung and acted, and that voices would blend when people sang together. Although there was some decent singing and acting from the supporting roles, Underwood was tragic and every time people sang together it sounded like ass.
It is an interesting point though. I wonder how often negative reactions to shows etc.. are the result of other factors than the performance itself (e.g., resistance to change; expectations based on original performances etc.). My hunch is it happens all the time.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Why would they be sung like in the movie? This had nothing to do with the movie. You can compare Mary Martin's performance with Carrie Underwood's, both have pleasant sounding voices. Tons of people are swimming in hate, and social media gives them a platform to voice it, whether their friends went to hear about it not. Laura Benanti had a great quote about that, saying she has no time for people that small.
The very nature of the Internet is that is most often surfaces polarizing views, which is why the majority of Amazon reviews are either five stars or one star. Everyone in the middle isn't compelled to share their opinion.
Having only watched the movie, I found it compelling to see the differences between the two. Of course, when I feel the urge to see the Sound of Music, I'm still far more likely to go classic.
PRS, I'd love to know who you would have preferred in the role of Maria. I completely agree about Carrie's acting but strongly disagree about her vocal abilities.
Anyway, I would love to hear who you would see instead? And, for the love of God, don't say "Anne Hathaway."
I don't know, because it would have to be someone of Underwood's stature for there to have been a project in the first place. I didn't spend the show thinking I wish __________ had played the role (although recalling that Benanti replaced Luker in the revival made me wish I was watching her Maria), I just wish it had been someone else, at the very least someone with some breath control.
There are only 3 people I think who could fit that phyllis. .. Taylor Swift. ANNA Kendrick or Amanda Siegfried
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It really comes down to this: was your dislike for Carrie more than your own personal desire/satisfaction of seeing a major network take on an ambitious venture like this one? For an art form that really could use the exposure? Because without Carrie's involvement, the broadcast never happens. Meron & Zadan practically spelled that out in a recent interview.
I.. don't know, because that's a confusing question. I guess yes, because while I'll probably watch the Elsa and Max songs a couple more times, I can't imagine ever watching this entire thing again.
"Thank you, Phyllis. It is bull****. I wasn't expecting miracles or even anything very good. I didn't expect it to SUCK!"
That's your opinion. Theatre is subjective. As they say, 'beauty is in the eye of the beholder.'
For the thousands who thought it "SUCKED" or hated Carrie, I am sure there are thousands more who fell in love with musical theatre or Rodgers & Hammerstein. Maybe hundreds of thousands were exposed to the art form that never would have previously been exposed because of Carrie's involvement. Who knows?
I work in television (both creative and production). It's frustrating to be part of an industry that shies away from genuine, live classic theatre but glorifies such drivel as GLEE. I commend a major network for taking a leap of faith. It paid off, solely based on the ratings. Updated On: 12/6/13 at 06:33 PM