This was about as close to a perfect production I think I can ever expect to see in my life.
I'll write more when I get home but I fully expect Tony Awards to go to Joe Mantello and to Ellen Barkin. This was beyond anything I could have ever expected going in tonight.
No it's not a reading. Sets are very minimal but I love it because the story doesn't need fancy sets (or in some scenes anything more than two chairs).
I have tickets for this in May. I am excited about seeing it. I Loved the Public's revival a couple years ago. Hope this was just as gut wrenching! As didactic as I find the play, it does speak out with all the anger and fear of the time.
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
Now the question is, if you saw and really enjoyed the recent staged reading that prompted the revival as I did, must you now go back again to see this at Broadway prices? Which then prompts another question: anybody know if they've got a rush policy?
I saw it tonight, and I had NO idea it was the first preview.
I rarely post, and hate to speak in hyperbole, but quite simply - breathtaking and unforgettable.
The set is very simple - three white walls, which have lots of grooves in them. I feel quite stupid for not realizing that the raised portions are actually many quotes intertwined - "GMHC," "Mayor Koch," and many, many other words. Right below the proscenium, there's an area with projections that display the setting of each scene. All the actors bring in/out the props - mainly chairs and tables.
The actors occasionally - and very, very discretely - tripped over their lines here and there, but I think it lent itself well to the conversational nature of the play. More importantly, it didn't matter. The action of the play flowed seamlessly, engrossingly, and every single word and action was invested with such depth and clarity of emotion.
It's tough to single out any performance since they all contribute so beautifully to the ensemble, but I have to join in on the chorus - Joe Mantello and Ellen Barkin are fantastic, and I'm actually more impressed with the latter given past roles/expectations. You could hear a pin drop during her second act monologue - every single person in that theater was completely swept up in her every word.
**EDIT - I've never seen or read the play before, and don't know any previous incarnations, but they were completely off book.
Updated On: 4/19/11 at 11:46 PM
Oh God, that monologue. Those few minutes are probably the play equivalent of seeing Ethel Merman do "Rose's Turn". It's something you'll never forget.
I can only hope when this show ends, she returns to Broadway as soon as possible.
I told myself I wasn't going to read this thread, but then I couldn't resist opening it.
I'm simultaneously thrilled and heartbroken, but the heartbreak is only personal, and ultimately, I know, only selfish.
It sounds like this production is everything the play deserves. And I hope the reception to it will also be everything the play deserves. I'm glad to see that people are seeing what I do in it. I won't get to see it at least until June, but I can't wait.
I was there tonight too and was blown away. All of the actors were amazing especially Joe Mantello whom I loved in the reading this fall. Ms. Barkin's monologue was exceptional. I fully intend on buying another ticket tomorrow on my way up to another show.
I think it'll be pretty easy to score a TDF ticket to this one, at least until reviews come out. It's up there now for a lot of dates, and it's an insanely competitive theater season. Guess I'll have to go back!
I saw the benefit performance reading half a year ago and was very impressed with the play and the entire cast, especially Joe Mantello. Is it sufficiently different to merit a return trip? Thanks.
I, too, would appreciate hearing from someone who saw both the staged reading and this production as to whether mamaleh and I need to go back...let us know!