Wow, I'm surprised so many people hate Gigi. I worked on it in college and loved the role and the show.
I agree that it is set in a certain time period and yes, perhaps not in line with modern thinking. However, she was progressive and strong minded, certainly at least for her time.
I think the show is charming, romantic and sweet. Not that familiar with Vanessa Hudgens but I wish the team lots of success.
“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.”
``oscar wilde``
I'm excited for this show! I love the movie, music, and the sets/costumes of the film. The songs written for the Broadway adaptation weren't that great, but I loved "The Contract."
I also don't get the appeal of Gigi. I adore Auntie Mame. There were lots of greats films in 1958, but Gigi is near the bottom of my list. I've tried to watch the film again several times in recent years and always lose interest. Hopefully, this broadway version will change my opinion.
This previously flopped on Broadway. Add to that the fact that this piece is obviously aimed for an older demographic than Broadway wants now. The question is Why Do It?
Colette was a fascinating person, a woman who broke all manner of conventions, openly never in the closet bisexual, an author, actor, acrobat, gymnast, music hall performer, who was, at various times, both astonishingly independent and under the yoke of several of her husbands (including Villars, for whom she, like a great many other writers, ghost wrote, and whose labors made him a huge success) and lovers (both male and female), and, who, at a certain point in an apparent provocative mood as was her wont, vocally criticized feminism though her entire life was a struggle to live her life exactly how she pleased even at the risk of grand scandal and social ostracism.
I love that artwork. I sincerely hope that the new book doesn't try to make the show "modern" and just sticks to the movie's style with the added songs. It's a beautiful movie with some of the best scenic design I've ever seen, and I would love to see it on stage.
Well it's a lovely illustration of a ball gown from the 1950's. With a little tweaking it could even be from the 1860's (think hoop skirts from THE KING AND I). But no-one in the 1890's when Gigi is set wore a crinolined skirt like that (unless they were Queen Victoria stuck in the fashion of 30 years before). What was the correct silhouette for couture fashion in the 1890's? Well Cecil Beaton got it right in the movie GIGI. As did Freddy Wittop in the original HELLO DOLLY.
Here's hoping the costume designer for the actual show knows the difference.
Mr Roxy, that's not what I got from the article, unless I misread. I think by 21st century, she meant making the story contemporary and comprehensible by a modern day audience.