Vanessa Hudgens is Gigi (Officially) — Page 3
#52
Posted: 9/12/14 at 6:32pm
I'm excited for this show! I love the movie, music, and the sets/costumes of the film. The songs written for the Broadway adaptation weren't that great, but I loved "The Contract."
#53
Posted: 9/14/14 at 9:19am
#54
Posted: 9/14/14 at 11:29am
I also don't get the appeal of Gigi. I adore Auntie Mame. There were lots of greats films in 1958, but Gigi is near the bottom of my list. I've tried to watch the film again several times in recent years and always lose interest. Hopefully, this broadway version will change my opinion.
#55
Posted: 9/14/14 at 11:55am
She has a great voice, but can she sing classically?
#57
Posted: 11/19/14 at 10:10am
This previously flopped on Broadway. Add to that the fact that this piece is obviously aimed for an older demographic than Broadway wants now. The question is Why Do It?
Poster Emeritus
#58
Posted: 11/19/14 at 10:25am
Looks more Breakfast At Tiffany's than GIGI to me. Surely that isn't a costume from the show?
Keeping BroadwayWorld Illustrated
#59
Posted: 11/19/14 at 11:53am
Maybe it is. Maybe the show has been brought into the 21 st Century. Wouldn't that be something Maxines could become a chic nightclub.
The beat goes on
The beat goes on
Poster Emeritus
#60
Posted: 11/19/14 at 12:01pm
Colette was a fascinating person, a woman who broke all manner of conventions, openly never in the closet bisexual, an author, actor, acrobat, gymnast, music hall performer, who was, at various times, both astonishingly independent and under the yoke of several of her husbands (including Villars, for whom she, like a great many other writers, ghost wrote, and whose labors made him a huge success) and lovers (both male and female), and, who, at a certain point in an apparent provocative mood as was her wont, vocally criticized feminism though her entire life was a struggle to live her life exactly how she pleased even at the risk of grand scandal and social ostracism.
All that on top of being a literary genius.
All that on top of being a literary genius.
#61
Posted: 11/19/14 at 12:19pm
Saw the "Gigi" poster at the Kennedy Center on Sunday. I like the look of it! Didn't get a photo, but I found this one online:
http://www.pinterest.com/pin/70439181647865533/
http://www.pinterest.com/pin/70439181647865533/
#62
Posted: 11/19/14 at 2:02pm
Like the poster a lot! Although Gigi looks so much like Leslie Caron in it (not that that's nec. a bad thing)
#63
Posted: 11/19/14 at 2:56pm
If she changes the style and sings in her "pop" voice, I'll cry.
#65
Posted: 11/19/14 at 3:34pm
I love that artwork. I sincerely hope that the new book doesn't try to make the show "modern" and just sticks to the movie's style with the added songs. It's a beautiful movie with some of the best scenic design I've ever seen, and I would love to see it on stage.
#66
Posted: 11/19/14 at 5:05pm
Well it's a lovely illustration of a ball gown from the 1950's. With a little tweaking it could even be from the 1860's (think hoop skirts from THE KING AND I). But no-one in the 1890's when Gigi is set wore a crinolined skirt like that (unless they were Queen Victoria stuck in the fashion of 30 years before). What was the correct silhouette for couture fashion in the 1890's? Well Cecil Beaton got it right in the movie GIGI. As did Freddy Wittop in the original HELLO DOLLY.
Here's hoping the costume designer for the actual show knows the difference.
Here's hoping the costume designer for the actual show knows the difference.
#67
Posted: 11/19/14 at 5:15pm
The poster looks more Funny Face (the movie) than GIGI.
Lovely but not reflective of the period at all.
Lovely but not reflective of the period at all.
Keeping BroadwayWorld Illustrated
#68
Posted: 11/19/14 at 5:22pm
Relax, literalists. Catherine Zuber's costumes for the production are spot-on.
#69
Posted: 11/21/14 at 12:24pm
Heidi Thomas talks to EW.com about her adaptation for Gigi, and working with Vanessa Hudgens.
Heidi Thomas talks Vanessa Hudgens and reworking 'Gigi'
Heidi Thomas talks Vanessa Hudgens and reworking 'Gigi'
Begin at the beginning and go on till you come to the end: then stop.
#70
Posted: 11/21/14 at 1:16pm
Great interview with Thomas. This appears to be in very smart hands.
#71
Posted: 11/21/14 at 11:32pm
Seems like this is in very good hands. I'm digging the new changes. Sounds promising!
#72
Posted: 11/22/14 at 8:04pm
Bringing Gigi into the 21 st century as opposed to turn of the century (20th) beggars the question: Why?
Why not redo Titanic and change the ending to avoiding the iceberg and arriving in NY today?
Why not redo Titanic and change the ending to avoiding the iceberg and arriving in NY today?
Poster Emeritus
#73
Posted: 11/22/14 at 11:45pm
Mr Roxy, that's not what I got from the article, unless I misread. I think by 21st century, she meant making the story contemporary and comprehensible by a modern day audience.
#74
Posted: 11/23/14 at 12:32am
This Gigi is still set in Paris near the turn of the 20th century.
Begin at the beginning and go on till you come to the end: then stop.
#75
Posted: 12/19/14 at 1:11pm
First Look at Catherine Zuber's costumes, via the NY Times.
https://www.broadwayworld.com/article/Catherine-Zuber-Previews-Costumes-from-Broadway-Bound-GIGI-20141219
https://www.broadwayworld.com/article/Catherine-Zuber-Previews-Costumes-from-Broadway-Bound-GIGI-20141219
Begin at the beginning and go on till you come to the end: then stop.
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