I've said this in a number of other places, but I do believe we will see Tony voters share the wealth a bit. HAMILTON's artistic achievement is singular and it will absolutely take the top Musical award, but aside from this being a particularly strong season with many other shows worthy of being recognized; most of the voters are also theatre professionals -- many involved in the other productions that will be up for awards. A Tony win (even if its only one) could make a big difference to shows like FIDDLER, THE COLOR PURPLE, AMERICAN PSYCHO, SHUFFLE ALONG etc.
And I do think there is the possibility that there may be a little bit of a feeling of fatigue over HAMILTON's juggernaut status. I think one of the reasons THE PRODUCERS swept in it's year, was that it opened right before the Tony cut-off. It's hype peaked at the perfect time. But we've had a year of Hamilton-hysteria now; I think voters may be moved to vote with temperance.
I imagine we might see this year play out like the year RENT was nominated. It took home a healthy slate of Tonys but it didn't sweep as many predicted. BRING IN DA NOISE, and THE KING AND I, in particular also did very well that year.
Updated On: 3/22/16 at 11:01 AM