I didn't understand the restructuring of the 2006 revival. The album sounds like a few of the songs are just accidentally out of order. Maybe it worked in the show but I struggle to understand how it worked without getting to see it. Was it the 2006 production that ended with everyone stripping?
Yes, if I recall correctly, at the end the Emcee was made to strip and was rounded up into a huddle of other prisoners. I can't remember what they reordered because I didn't know the show well at the time. It was a good production but didn't feel definitive like the Mendes staging must have been.
Jessie Buckley is a big yes. Eddie I think can pull it off very well, after all he was one of the best singers of the Les Miserables film and he kind of looks the part. So I think he'll do a very good job with it.
ImaginaryManticore said: "So it's been more like 15 years since London saw a new take on Cabaret."
My introduction to "Cabaret" was the original 1968 London production. It starred Judi Dench, Lila Kedrova, Kevin Colson and Peter Sallis. More than half a century later, I have so many wonderful memories of that evening. Of the four main actors, only Dame Judi survives. I hope the audience for this new production will be as enthusiastic as we were 53-ish years ago.
It is a new version/director, it is not Jamie Lloyd.
The 2006 revival I enjoyed. The main nudity came as end of act 1, it was representing their full bodied selves dancing, contrasting by the end them naked, shivering and malnourished, echoing the sad horror of what was to come. It then hit the road in UK pretty much for ten years, it even came back to The Savoy Theatre for a run.
This new production is really exciting and we are long over due a new Cabaret revival in general. I adored the Mendes revival too, but I think the time has come to see this show in a new revival.
As other have pointed out, the problem isn't finding "new" productions of Cabaret: there have been plenty of regional productions with high-profile directors and actors. The problem is that they're all so derivative of the Mendes production. At this point, I don't even think they're doing it on purpose. The Mendes version has become so ubiquitous, that I think many theatre artists just think "well, we're doing Cabaret, and this is how Cabaret is done."
Maybe this would disappoint some but I’d also be completely keen if they were to just remount the Sam Mendes production, too.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
binau said: "Maybe this would disappoint some but I’d also be completely keen if they were to just remount the Sam Mendes production, too. "
Honestly, I never had to privilege to see it in it's final Broadway form - only the DONMAR video recording - so I'd also be okay with it. I would only slightly prefer a new production, but Cabaret is Cabaret for me, so I don't care much.
Also, slightly unrelated, has anyone here listened to the 2004 Madrid cast recording? I am in LOVE with it! The energy is phenomenal, especially the intro to the title song. Also, the low string instrument (can't tell if it's a cello or bass, forgive me) at the start of the Finale is chilling.
binau said: "Maybe this would disappoint some but I’d also be completely keen if they were to just remount the Sam Mendes production, too."
Same! I was so happy when they remounted that production back in 2014 as I was too young to see it the first time is played Broadway. It will forever be one of my favorite theatergoing experiences ever.
"There’s nothing quite like the power and the passion of Broadway music. "
Jordan Catalano said: "The Upper Circle is very high at The Playhouse. If you go to Seatplan.com, you’ll be able to see views from your seat."
I've sat up there before for La Cage aux Folles many years ago, but I know the circles have both been reconfigured (half the number of rows now it would seem in the upper) and they're doing this in the round.
BizBuzz said: "It is a new version/director, it is not Jamie Lloyd."
I'm not sure it's been mentioned yet but Cabaret will be directed by Rebecca Frecknall who directed an amazing, stylistic production of Summer and Smoke at the Almeida that transferred to the West End. It is the only time I have liked that play.
Got an email from the theatre. Everyone who sees the show, double vaccinated or not, will have to show a Covid test taken within 48 hours of attendance.
Owen22 said: "Got an email from the theatre. Everyone who sees the show, double vaccinated or not, will have to show a Covid test taken within 48 hours of attendance. "
Thanks I actually might have missed this. A bit unusual but a lateral flow test is relatively convenient.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Just got a ticket for the first preview, a limited number of tickets have just popped up on the website. Can’t wait for Monday week
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian
Owen22 said: "Got an email from the theatre. Everyone who sees the show, double vaccinated or not, will have to show a Covid test taken within 48 hours of attendance."
Owen22, anything you can post here? I didn't receive an email from the theatre and can't see it on their website.