Am I the only one who is slightly irked that the new revival will use the original Choreography?
It's not that I don't care for the choreography...but it's been around for years and is even preserved on film.
I have no real intrest in shelling out big bucks to see the revival onstage when I could stay home and watch the academy award winning film (with likely a better cast then the one that will be performing in the revival) for free.
Now say they were to bring in FRESH eyes and totally re-imagine the production...I think it would be more interested and all around better. When I say re-imagine...I'm not talking about throwing some Spanish on the stage...I'm talking about a sparkling new production...with new staging.
How long is it going to take until the NEXT revival. Maybe then...we will have some originality to the production.
(again, this post is not to smash the upcoming revival...I just don't see a need for the same old stuff again.)
It would be illegal for a Broadway production of WEST SIDE STORY to use a different staging given that Jerome Robbins made sure that every revival of his shows were legally bound to use his choreography. Plus, he is arguably the best choreographer in the history of Broadway, who would be able to come up with a staging that could even begin to match Robbins'?
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
>I have no real intrest in shelling out big bucks to see the revival onstage when I could stay home and watch the academy award winning film (with likely a better cast then the one that will be performing in the revival) for free.<
I don't think attendance at the West Side Story revival is going to be mandatory for all citizens. I think you can safely stay home and not have to go through the duress of having to witness Jerome Robbins' choreography. Enjoy the film (especially the vocals from Natalie Wood and Richard Beymer) and godspeed to you.
Begin at the beginning and go on till you come to the end: then stop.
You're right...do you people SERIOUSLY want to see that staging again? I mean why not try something NEW...
I think its a shame Robbins legally bound his staging to his shows...If I created such a masterpiece I would want it to grow and change through time. I would think he would want that too!
I never meant to bash the Robbins choreog...I just wish there would be something new and different. Shoot me for being dissapointed its going to be the same old, same old forever
I agree that the staging and choreography should be new. The set and staging of Gypsy is at best tired.
I know the original WSS chorography is stunning, but someone like Matthew Bourne could really bring something new to it. It wont detract from the greatness of the original, but it could compliment it.
For the record, most of what we recognize as the Sharks' choreography in West Side Story was NOT by Jerome Robbins.
The Shark boys' and Shark girls' movement in "Dance at the Gym" and "America" was choreographed by Peter Gennarro, who received Co-Choreographer credit on the original program yet was contractually obligated by Jerome Robbins to stay in the background.
Chita Rivera has gone to great efforts to give credit to Gennaro for what he did.
And here I thought I was the only person still alive who knew that. Robbins, though great, has been made greater by both Gennarro and Robert Wise, who directed 90+% of the film, yet Robbins got co-directing credit.
I asked this question in another thread: Are they still planning to add new songs to the score? One thing that SHOULDN'T be tampered with is the music, especially when they're talking about replacing "Officer Krupke" with something called "We're F*cked". Heaven forfend!
One thing that SHOULDN'T be tampered with is the music, especially when they're talking about replacing "Officer Krupke" with something called "We're F*cked
WEST SIDE STORY's greatness is largely due to its choreography, be it by Jerome Robbins or Peter Gennarro. If you do not want to see this choreography, stay away from the revival and go to see IN THE HEIGHTS or wish for some completely new urban inspired musical. Don't do major tinkering with an existing masterpiece. Who else besides Jerome Robbins and Bob Fosse have had theatre pieces revolve around their brilliant choreography?(JEROME ROBBINS' BROADWAY, DANCING, AND FOSSE!)
For some reason I dont think this will be as big a smash as alot of people originally thought it to be. At least in my head I figured it would get the same treatment south pacific did with lincoln center but this revival just seems kind of bleh.
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
Somehow square dancing does not fit in West Side Story
The original choregraphy was fine as was the recreation for ACL & Chicago. Imagine either one with radically different choreography. Neither one would be the same show.
How is South Pacific a bold new version of the show? It's VERY faithful to the orignal. If anything the RNT production was the bold new interpretation of the show.
Updated On: 8/8/08 at 09:47 PM
Anyone who thinks there is a talent on the current theatre scene who is the equal to Jerome Robbins as a choreographer and/or director knows nothing about theater, dance, musicals and, most importantly, IDEAS. Go back to watching television and cheering TITLE OF SHOW--it's all you deserve.