Does she have an amazing soprano? No. Maria shouldn't. It should be a simple, pure, youthful sound, which is what Scaglione has. Vocally, she's perfect for the role.
With those blue eyes and light brown hair and fair skin she looks more like someone related to a German world war two immigrant. Like someone pointed out it could have been anyone from the US. If Argentinian is Spanish is Puerto Rican Spanish or Portuguese because there is a difference in language.
I didn't listen to "Memory." Her "O mio babbino caro" wasn't the best that I've heard and her Ab5 wasn't very floaty. But she's decent enough, especially given what I was expecting.
In terms of looks, I think people are being a little ridiculous. There are a lot of Latinas who aren't dark like that. I mean, look at Alexis Bledel. And Joanna Garcia, though she is part Spanish.
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
It's sort of amazing to see how many people are hung up on the "looks Latina" factor. The ignorance on this board is unbelievable. The girl is from a South American country that shares Latino culture, Spanish is her Native language, and she shares a Latin blood. Not all Latinos look like Lin-Manuel Miranda or Robin DeJesus.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Well, you don't want to confuse the tourists who think that all Latinas look like Eva Longoria or America Ferrera. As I said though, her skin is dark "enough" and I'm sure they'll put her in a black/very dark brown wig.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I wonder how they are going to get her past Equity since it would be a hollow claim at best that she is an international star. Since Puerto Rico is a territory of the U.S., they wouldn't have had an issue if they picked an actual Puerto Rican.
If the audience could do better, they'd be up here on stage and I'd be out there watching them. - Ethel Merman
Equity has really relaxed their stance in recent years on allowing artists from other countries to work in NYC. I doubt its a problem.
If its at all an issue, Laurents will argue that she's 'uniquely qualified' and will be able to give significant evidence that an exhaustive casting search was indeed held throughout the U.S.
She's no Carol Lawrence. Her voice is ordinary, her vibrato annoying and she was straining on some of the high notes. Doubt she will be able to handle 8 shows a week for any length of time.
You know its interesting you write that, bwayfan, because a lot of people complain about Carol Lawrence's voice on the original recording for those exact reasons. Carol wasn't a great soprano, truth be told - her voice was naturally in the mezzo belt range.
What I hope is that this girl has some serious acting chops. Thats really more crucial ultimately for her success in the role than her being able to sing the score like Kiri Te Kanawa.
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
"Equity has really relaxed their stance in recent years on allowing artists from other countries to work in NYC."
Not saying this isn't true, but I haven't heard or seen this. Are there examples you can name in any current Broadway show? I know they have been very cool about British Equity trades, but even then, they keep an eye on the numbers going each way to make sure it's fair.
If the audience could do better, they'd be up here on stage and I'd be out there watching them. - Ethel Merman
As far as I know they didn't care at all about Hadley Fraser and the many Irish performers (not only on stage but in the pit) that were brought to America for "The Pirate Queen."
Listened to her clips and she has a lovely voice, just what the casting people wanted. But as a Puerto Rican (from the island) I can say that she is not very representative of what a puerto rican girl looks like. Yes, we have blonds and all color of eyes in Puerto Rico and various cultural influences but even the blonds still look like they are from the Island. Argentineans (more so than most other Latin/Hispanic countries) have a very distinctive look that does not at all look Puerto Rican. She's beautiful but I guess in my mind I have a completely different picture of "Maria". I know Krysta Rodriguez was seen and sang the material very well. Many of my Puerto Rican friends went in as well and I had hoped to see one of these unknown sopranos get a chance to represent Puerto Rico. There isn't that much out there in this business for an ethnic classical soprano and this seemed like the perfect role for one of them. Maybe they'll cast one of them as the understudy.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.