Oooh! I just remembered one! I don't know if I'd call it a masterpiece, but Das Barbecue is loads of fun and catchy as hell. It takes Wagner's Ring Cycle (all forever hours of it) and transports it to Texas.
I know nothing about Wagner's Ring Cycle but I still find the recording to be highly enjoyable. It doesn't make you feel like you're missing out on any inside jokes
Marilyn the musical! I was so provoked when I saw this on the list that I actually had to join to comment. As a resident of London in the early 80's I had the dubious luck to see both Seberg and Marilyn. I have to say that Marilyn was one of the lowest points of all my theatre years. Did you know o o o Marilyn Munroe!
I'd say the brilliant musical version of THE ADDING MACHINE that played at the Minetta Lane a couple of years ago. One of the finest productions of the decade in every respect, I hope it doesn't just fall off the map completely.
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I saw Marilyn and Jean Seberg as well, and I wouldn't describe either of them as brilliant.
Moby Dick was good and worthy of cult status.
However the only obscure musical I can think of that I would actually describe as brilliant is The Hired Man. But its brilliance is also what makes it obscure.
La Triviata was interesting, had a great set and, looking back, was also quite moving but not brilliant.
There is an exhibition on at Debo's house honouring her 90th birthday this year, so I'll no doubt get in the old jalopy and trundle on over. One of the highlights is her Elvis doll.
Updated On: 4/16/10 at 05:20 PM
I don't know how really brilliant OR obscure any of these are, but let's see...
Smile (it's too bad we'll never see a revival or an Encores production of this show, it's one of my all-time favorites) Flight of the Lawnchair Man Of Thee I Sing Ruthless! Amour
I suppose shows like Brownstone and Saturday Night could potentially qualify as well, though I'd assume they're a little more well-known. I'm always bummed when people say they haven't heard of Saturday Night in particular - "What More Do I Need" is one of my all-time favorite Sondheim songs.
Yeah, I was on the fence about OTIS for that reason, Jon. I threw it in just because I don't think any of my friends have ever heard of it, but 18-year-olds who still aren't over Spring Awakening aren't really the best yardstick against which to measure theatrical obscurity.