“It’s my decision,” Rudin tells me. He says both numbers are staged on and around a passerelle, or bridge, which at the Shubert is 3 feet deep and at Radio City, 25 feet deep.
“I told the Tony producers that unless they wanted to watch 12 dancers falling into the pit live on CBS, doing either number at Radio City was simply a nonstarter,” he says.
Rudin offered to sweeten the deal by having a Tony viewing party at the Shubert, where 1,400 people could see Midler perform either number and then catch the rest of the awards show on giant screens. He says he was going to make the viewing party a benefit for Broadway Cares/Equity Fights AIDS.
The Tony people still turned him down, fearing other shows would want to do their numbers from their theaters. Rudin says he understands, but insists his chief responsibility is doing right by his show: “ ‘Dolly!’ and ‘Parade’ are beloved, iconic numbers from the Golden Age of Broadway musicals, and they mean a great deal to an enormous amount of people, myself included. Presenting weakened, watered-down, restaged-for-television versions of either of them holds no interest for any of us connected with the show.”
The last line of this pretty much sums it up!