Now, I know jukebox musicals are something of a groaner. For every good one, there are ten or twenty bad ones to sour their reputation. But they are a new, trendy thing, and they will continue to flourish whether or not we like them. So, whose trunk of material would make a good one, as opposed to a pointless, cheesy one?
Now, before you say "no one!" please do remember that there have been jukebox musicals since the dawn of theater. "Crazy For You" and the stage version of "42nd Street" are both jukebox musicals, but of Gershwin and Tin Pan Alley pop, not of pop-rock. Saying that they have more value because of their musical heritage is a moot point- the songs have no connection and storytelling value beyond the book stringing them together. Pure jukebox.
Now, as for myself, I think the two most likely candidates for a good jukebox musical are:
1: Alice Cooper. Other than maybe Pete Townshend, no rock songwriter in the past decades has been so nearly obsessive about crafting his music into musicals as Alice Cooper has. Almost all of his albums are character studies or miniature song cycles focusing on his group of characters, Alice (sometimes the narrator, sometimes the devil), Vince (Cooper's troubled, ex-alcoholic alter ego, a man struggling with faith and trust in a world that's gone downhill), Steven (a schizophrenic from a very strange family, who may or may not be a murderer) and The Black Widow (an evil entity behind many of the series' events). Plus, he's received surprising acclaim as a songwriter, with Bob Dylan and Frank Sinatra both praising his songwriting abilities. Let the man write his own libretto and this could be a hit.
2. Elton John. Back in the day, most of John's songs were character sketches, and the guy does love a good concept album. Vintage Elton John would make a much better musical than most of the shows he's written original music for.
Bruce Springsteen
Each song is like a short story.
I think a musical 'Jack and Diane' based on the music of John Melloncamp would work.
Broadway Legend Joined: 5/20/03
Fleetwood Mac
Carole King
Broadway Legend Joined: 11/8/08
Although this would NEVER happen, I would KILL to see a 'Sublime' jukebox musical. Sublime might actually be my favorite band of all time.
I think there was a Springsteen revue on a small scale somewhere in regional theatre. No characters, no plot, just a revue of the songs. For Springsteen, that would probably work VERY well.
Broadway Legend Joined: 5/20/03
I think a musical 'Jack and Diane' based on the music of John Melloncamp would work.
Right after a musical based on Brender & Eddie from Billy Joel and Billy & Patti from Rod Stewart.
I second Madonna, although she didn't write most of the stuff, that sucker would run for decades. :)
I actually think Nanci Griffith or Jewel should write a musical. Both are incredible song-smiths.
Ben Folds writes some of the best musical theatre songs out there, whether he knows it or not. But rather than a Jukebox show, I'd prefer him write an original musical. I think that could be brilliant.
Akiva
Bettyboy madonna has written nearly everything with the exception of Like A Virgin, Ray Of Light and a couple of others. She writes many of the tracks her self then gets world class or underground producers in to rework them for the albums. Madonna has been writing songs since before she was famous. Thats why she has won songwriter awards such as the Ivor Novello award x
Broadway Legend Joined: 6/5/09
I wouldn't call "42nd Street" a jukebox musical. It was a stage version of a movie musical.
Yes, but, much like Desperately Seeking Susan, it created its score not with original songs, but by filling it with unrelated songs from the composer's trunk.
And even then, all the musical numbers are "in the musical" scenes. Today's directors wouldn't call it a musical at all. The characters don't sing unless they're actually singing.
Broadway Legend Joined: 3/16/06
The Bee Gees would be good although it would have to be about their life and career similar to Jersey Boys and Buddy and they have such an extensive back catalogue.
Duran Duran would be my other choice for a Mamma Mia! type jukebox musical.
The Bee Gees have Saturday Night Fever
I totally forgot about Duran Duran...that would be divine!!!!
Understudy Joined: 11/2/08
LOU REED
LOU REED
LOU REED
I would LOVE to see a musical with a legit score based on his life. He is incredibly interesting, and I feel that his story would fit NYC very well- because he in many ways- embodies the city itself.
Broadway Legend Joined: 2/20/04
There is a Carole King revue.
There are also Randy Newman and Harry Chapin revues.
Not the same as "jukebox musicals", but still...
I wouldn't call "42nd Street" a jukebox musical. It was a stage version of a movie musical.
Actually, I think "jukebox musical" is a good term for the show. It's not really a stage version of a single movie musical but rather several. Yes, the show is called 42nd Street and has the same plot as the film (for the most part) but it takes songs and elements from many other films. Not all of the songs in the musical version appeared in the film version. There are songs from "Golddiggers of 1933", "Dames", Footlight Parade", and many more.
And I don't know if this would be better served as a bio-musical such as Jersey Boys or having the songs being strung together by an original plot like Mamma Mia but I'd like to see the songs of the Carpenters theatericalized in some way.
With Lou Reed you almost have a score with Songs for Drella! A musical based on the life of Andy Warhol.
Whole-heartedly agree with Ben Folds. "The Ascent of Stan" is possibly my favorite song ever written.
Celine Dion! HA!
As for Ben Folds...I vote for that.
Broadway Legend Joined: 6/5/09
"Today's directors wouldn't call it a musical at all."
What would they call it?
And then what should one call the stage version of "State Fair," which took the plot and songs from the movie, and added old songs from other Rodgers and Hammerstein shows? Is this then a jukebox musical too?
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