I certainly agree with Kramer and thought his WOYZECK was one of the best things I saw last year. I didn't include him only because that was the only production of his I've ever seen (I've seen multiple productions by everyone else I named). He's also pretty firmly set on establishing himself in London and I don't know when we'll see his work in New York again. But he's certainly as promising a director as exists currently on either side of the Atlantic.
LeCompte may be my favorite director and the one who is a truly innovative visionary among her contemporaries. I know Foreman has stated that he's leaving stage behind for now and concentrating only on film, at least in the near future, which is why I didn't mention him. Taymor is fascinating, but she doesn't work enough in theatre for me to include her.
Wilson always creates eye-popping stage pictures, but I've not often been a fan of the content of the works themselves, finding them muddled and too eliptical for may tastes. He's certainly important and influential though.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 1/18/07 at 08:07 PM