High Fidelity, the 2006 based on the Nick Hornby novel and the John Cusack movie is one of those shows that's history has always confounded me. It was an unbelievable flop, but by my estimation, it's really good. Clever lyrics, fun use of genre in the music, it does a lot to make the main character likable.
It was a tough race that year for musicals (we also had Spring Awakening, Legally Blonde, Curtains, and Grey Gardens come out that very season), but was the show really that bad?
I saw a regional production. The leading men were smug and the leading lady underwritten. There were two fun songs, "Number One with a Bullet" and "Ready to Settle." But I wasn't invested in the story of an entitled jerk harassing his ex-girlfriend.
One of the rare times where a show actually should have been at least a partial jukebox musical. So much time spent talking about great recording artists and their top hits, and then you never hear any of that music and instead get som pastiche pieces that are watered down versions of the real music that was being discussed
Poor Will Chase. I saw High Fidelity twice and loved it. Then, a little over two years later, Will Chase opened The Story of My Life, which only ran a weekend. Saw that gem four times and loved it. It's so rare for shows to have this short a run nowadays. KPOP and Lempicka are probably the only two comparable.
I recall seeing it and enjoying a lot of it. But I also remember not being as impressed as I left the group sales presentation. I also remember finding Jay Klaitz' character absolutely insufferable.
"Hey little girls, look at all the men in shiny shirts and no wives!" - Jackie Hoffman, Xanadu, 19 Feb 2008
WithoutATrace said: "Poor Will Chase. I saw High Fidelity twice and loved it. Then, a little over two years later, Will Chase opened The Story of My Life, which only ran a weekend. Saw that gem four times and loved it.
the story of my life is yet another show which fits under the category of vanity project
it had no business being on broadway
as evidenced by how long it ran
as to the original high fidelity question
aside from bad timing
the movie wasnt exactly a smash hit but it wasnt a dud
although I personally enjoyed it
the musical did not offer anything compelling over and above the movie
a similar example is pretty woman
which was essentially a flaccid and uninspired carbon copy of the movie
the only reason it even ran for as long as it did is because that movie is a hundred times more popular
once the fanbase ran out it closed
high fidelity did not have the built in fanbase to begin with
I believe one of the reviews said something along the lines of
I did not like this on Broadway but a couple years ago I saw a London rewritten production that returned the setting (of the original novel) to England. For some reason I liked that version a whole lot more.
I think there are some traces of bones for a good musical here. I loved the Hulu tv series. But It felt too overstuffed, with weird masculine energy that just derailed the entire thing. The character of Rob ain’t exactly likable to begin with.
Alex Kulak2 said: "High Fidelity, the2006 based on the Nick Hornbynovel and the John Cusack movie is one of those shows that's history has always confounded me. It was an unbelievable flop, but by my estimation, it's really good. Clever lyrics, fun use of genre in the music, it does a lot to make the main character likable.
It was a tough race that year for musicals (we also hadSpring Awakening, Legally Blonde, Curtains, andGrey Gardenscome out that very season), but was the show really that bad?"
I have this same opinion about Groundhog Day. I know its box office was dismal, but I think the score is great and it has a very sweet love story (mostly). I’m glad it’s had new life in the UK.
HeyMrMusic said: "This show made me a big fan of Anna Louizos, who was nominated for the incredible set.
I wholeheartedly second this. It was also the first time that I was introduced to Amanda Green's lyrics, which I found quite winsome and clever.
To the OP's question: Personally, I remember being more invested in (and smitten with) Christian Anderson and Kirsten Wyatt's romance than the main story. Which, despite great performances, were truly of, just, rather insufferable people on a journey that was hard to care about.
I do think, though, that it had my favorite opening number and finale of that time period of shows.
Quinn Wilson said: "Alex Kulak2 said: "High Fidelity, the2006 based on the Nick Hornbynovel and the John Cusack movie is one of those shows that's history has always confounded me. It was an unbelievable flop, but by my estimation, it's really good. Clever lyrics, fun use of genre in the music, it does a lot to make the main character likable.
It was a tough race that year for musicals (we also hadSpring Awakening, Legally Blonde, Curtains, andGrey Gardenscome out that very season), but was the show really that bad?"
I have this same opinion about Groundhog Day. I know its box office was dismal, but I think the score is great and it has a very sweet love story (mostly). I’m glad it’s had new life in the UK."
Very much agree about Groundhog Day. I think it's one of the best movie-to-musical adaptations to ever play on Broadway, and one of the few that improves on it's source material.