Haven't seen the sets yet. We cut always a woman and moved heart to hart [...] no song and no scene [for Hart]. We wanted a little shorter running time. And I bet you won't even miss it.
Looks like they are using the projections (or perhaps new ones) for the tour as Benjamin Pearcy is the designer. Paul Rubin is also the Aerial Effects Designer. Correct me if I'm wrong but there was no flying in the bway production?
''With the number of people I ignore, I'm lucky I work at all in this town'' - Helena Bonham Carter
Wait....so new director and choreographer? Is nothing going to be the same from the Broadway production except the score?
"I never had theatre producers run after me. Some people want to make more Broadway shows out of movies. But Elliot and I aren't going to do Batman: The Musical." - Julie Taymor 1999
The video was a hot tranny mess. You could barely hear anyone talk, and the best they got for music was the we-just-learned-this version of the title song.
"If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it." -Stephen Colbert
not just that but ummm maybe tune the piano before you start playing it. And where are they rehearsing, someones basement?
this looks like a thrown together tour just trying to make back an ounce of the millions they lost on broadway.
awesome..maybe they should just kill the tiered touring idea and let them go back to being Non-union if they are going to do things half-assed like this.
The curtain is atrocious...it looks like a 4th grader made a poster board collage for a an American history project on the 1970s. And they sound terrible. If I wouldn't have known better, I would have thought this was a community theare production in East Bumf***, WV.
I was a big supporter of 9 to 5 on Broadway but I also realized that it had a lot of problems. I truly hoped they would fix them and make a nice touring production but if they are going to turn it into more of a disaster (as it appears they are), they would've been better off turning the show into a permanent Dollywood attraction.
They couldn't have taken video of them actually rehearsing? No one really wants to see video of the letter from Dolly from the first day.
I don't like the curtain but that's hardly an indication of what the production will be like. The cast is strong and the score is good. I think that will sell the show.
I would have loved to have seen a curtain that was an actual clock. . .counting down to maybe 7 am, when the alarms at the top of the opening would be going off to "get up and work."
Also, it looks like that curtain is made up of sliding panels that APPEAR to open from stage right to stage left, all the way across the stage. Not splitting in the middle. There is also a proscenium that matches the curtain that remains for the entire show. . .you can see that in the drawings on the wall above the model.