A.Ham2 said: "I'd definitely put Jason/Tyrone in Hand To God up there
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I agree with this.
Spoiler
The scene in his bedroom was interesting. Like I actually forgot that whoever plays that role is speaking for both. So, that scene was like having an entire conversation with yourself. I realize there were other scenes where they were alone as well.
End spoiler
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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gleek4114 said: "Aimee Simple (Scandalous), Diana (Next to Normal), Daisy and Violet (Side Show), Monty (Gentleman's Gudie), and probably a billion more.
Monty is far less demanding than the D'Ysquiths, I would think.
Seriously though for those of you that haven't seen Dear Evan Hansen that role is vocally, physically, and ESPECIALLY emotionally draining. 8 times a week go Ben Platt.
I just thought of something. Does anyone know why there was an alternate for Tony in West Side Story in the 2009 revival like late into it? I know there was no alternate when Matt Cavenaugh started. But, when I went a second time, I thought I was getting Jeremy Jordan as an understudy when in the Playbill it said he did at least 2 performances a week as an alternate. I didn't think Tony was a really demanding role. Or was this just a contract thing that was worked out?
"I don't want the pretty lights to come and get me."-Homecoming 2005
"You can't pray away the gay."-Callie Torres on Grey's Anatomy.
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The role of Tony is vocally demanding. "Maria" is virtually an aria and other parts of the character's singing are quite high. For that reason, Tony is often given an alternate.
Harrisonmlewis said: "Seriously though for those of you that haven't seen Dear Evan Hansen that role is vocally, physically, and ESPECIALLY emotionally draining. 8 times a week go Ben Platt.
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I agree, especially the way Platt is killing it. It can't be easy--I was drained just watching him. I can't imagine living that 8 times a week.
Harrisonmlewis said: "Seriously though for those of you that haven't seen Dear Evan Hansen that role is vocally, physically, and ESPECIALLY emotionally draining. 8 times a week go Ben Platt.
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Agreed 100%. Once the show opens this November and everyone on here has the chance to see it, they'll also agree.
BroadwayConcierge said: "Slightly divergent question, but I'm curious: I don't think I have seen any roles in Hamilton listed on this thread yet. What's the most demanding role in that show? I have an opinion, but I'm very interested in what others think. "
I think Hamilton is the most demanding role in Hamilton. He is in the most numbers and has to play a broader range of emotions. Burr is the better part, though!
When I saw the show with the original cast, I thought Hamilton was more taxing than Burr because of his freneticism and, as Hellob wrote, his "broad range of emotions" displayed through the show. However, it wasn't until I saw somebody other than Leslie Odom, Jr. as Burr that made me realize how truly brilliant of an actor you have to be to pull off that role. Leslie was brooding and cunning and deeply thoughtful and introspective, and the emotional payoff by the end was devastating. The other actor I saw as Burr worked toward all this—but came off as tired/lazy for most of the show, and I was not as emotionally affected by his Burr as I was by Leslie's. It made me realize both that Leslie unequivocally deserved that Tony, and that Burr takes a lot.
Harrisonmlewis said: "@godless I completely agree, I think Ben Walker should've gotten a nom over Zachary Levi.
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He definitely should have gotten the role over someone, and I'm leaning towards either Levi or Brightman. I enjoyed Levi in SLM and I didn't see Brightman, but Walker was awe-inspiring. It's a shame he didn't get a nom.
I disagree strongly on The Witch. That's not even one of the two most demanding roles in that show (Baker & Baker's Wife)
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What makes the Witch so complicated isn't even the music necessarily (even though she has the hardest music in the show) it's the fact that she must be ugly and old in the first act, but then beautiful and sexy in the second act. It's an incredibly versatile role. You also have to find the line between scary and imposing, and sweet and motherly. I have played The Baker and I am currently playing the Witch and I must say that The Witch is far more demanding.
Pretty much any role in Next to Normal. I've read the score, and even in the first scene, when Henry and Dr. Madden aren't on stage, they are singing backup off stage. Plus the show is essentially sung through.
icecreambenjamin said: "I disagree strongly on The Witch. That's not even one of the two most demanding roles in that show (Baker & Baker's Wife)
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What makes the Witch so complicated isn't even the music necessarily (even though she has the hardest music in the show) it's the fact that she must be ugly and old in the first act, but then beautiful and sexy in the second act. It's an incredibly versatile role. You also have to find the line between scary and imposing, and sweet and motherly. I have played The Baker and I am currently playing the Witch and I must say that The Witch is far more demanding.
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Having played both as well I think they are equally demanding in different ways. Neither character journey is easy emotionally. I completely agree with you on the balancing though of the Witch.