Sorry if this is on the wrong board but I couldn't decide.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
There is nothing wrong with highlighting lines (or not highlighting them)
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
I highlight, and specifically ask for a photo copy or my own copy of the script. I take extensive notes as to emphasis, character development, physical motion, etc.
"I take extensive notes as to emphasis, character development, physical motion, etc." I'll do this too but I don't highlight.
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
MTI- no Tams-whitmark- no (cause they charge if you do)
Sam French-yes cause you or the theatre keeps the scripts Dramatic Publiching-yes
like i said it depends where its from
In the words of the great MargoChanning
"Broadwayworld.com -- Your One Stop on the Internet for All Things Broadway, Nasty Political Discussions, Meltdowns, Name-Calling and General Nonsense along with being a Premiere Pick-up Joint for Hotties, Shut-ins, Rambunctuous Teenagers With Bad Grammar, and All Manner of Bitter, Jaded Theatre Queens with WAY Too Much Time on Their Hands"?
I always do...it helps me when I still have book in hand to find my line quickly and get my face back in the air so I can stay aware of what's going on around me.
Every time I get a script that I can keep, I get highlighter happy. I usually color code my script. All my songs are one color, then all the lines alternate colors.
I do. And then I count the number of lines I have versus my co-stars, write it in the margin and tell them that I've got a bigger (and therefore more important) part and for them to kiss my ass all the way to my new private dressing room.
(Yellow highlighting goes great with green with jealousy, no?)
"It's not always about you!!!" (But if you think I'm referring to you anyway, then I probably am.)
"Good luck returning my ass!" - Wilhemina Slater
"This is my breakfast, lunch and f***ing dinner right here. I'm not even f***in' joking." - Colin Farrell
i highlight my lines in one color and my understudy lines in another (this was a trainwreck in annie since it was every single male line)
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel
I highlight my lines no matter what... then i claim that I lost it at the end of the show and pay the fee for the lost script... much easier than photocopying. lol.
tams-witmark scripts are horrendous! They only give the actor his lines and the cue lines. I am a cameo in "applause" but I wanna see the whole script, the scene before mine, etc.
Rosencrantz: "Be happy - if you're not even HAPPY what's so good about surviving? We'll be all right. I suppose we just go on."
- from Tom Stoppard's Rosencrantz and Guildenstern are Dead