oh! I thought I was going to be the lone voice for "Lot's Wife"!
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
I think it's apples to oranges, personally. They're two great songs, but they're not that similar in my head. Yes, they're both a mental breakdown, but musical theatre is FULL of those. Some are just quieter than others.
Sorry, but it is Rose's Turn. I just saw Gypsy last night and I was shocked at how much Patti has grown into the role since City Center. She blew the roof off of the St. James. I have NEVER seen a better performance than the one I saw last night.
I haven't seen Faith Prince yet, but I can't imaging the Tony voters passing up a chance to reward Lupone for her performance. I truly think it will go down as one of the best ever on the stage.
The truly beautiful should be lawfully restricted from wearing clothing; and the truly butt-ugly should be lawfully mandated from going naked.
They are SO different, I don't see how you can compare them. On one hand I think there wouldn't be a "Lot's Wife" without "Rose's Turn." What Sondheim did with that number (and from what I've read it was his idea to combine different motifs and lyrics from the show into one big break-down) was simply an act of genius. Getting to a point where Rose is really doing her own striptease of emotions is just thrilling to watch and listening to Rose use lyrics that belonged to her daughters and giving it a completely different spin is chilling. However, what Kushner and Tesori have done with "Lot's Wife" is write one of the most politically charged musical numbers while letting the unspoken voice sing out for once. Much like Rose, Caroline has sacrificed her own dreams and life for her children. Unlike Rose, Caroline basically had no choice. It's such a heart-breaking number and it has such a bare, awful revelatory comment on American society, history, and womanhood that I just think it transcends the nervous break-down of Rose. I pick "Lot's Wife." And I'm sorry Patti's performance has nothing to do with "Rose's Turn" or "Lot's Wife" in terms of this thread. I feel "Lot's Wife" is not a song that leaves you thinking (wow, Tonya Pinkins really blew the roof off the Eugene O'Neill), it's a song that makes you ponder about much bigger issues.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
Rose's Turn and Lot's Wife are both outrageously powerful, but Rose's Turn is better because it is easy to remember and has emotions that everyone feels at one time or another.
OMG. I luv "Gotta Go My Own Way" from HSM2. That gurl is fiercer than all of these old people combeined.
In all honesty though - I love both pieces. I really cannot compare them. They are both equally effective for me in the context of their respective shows.
I agree they are both completly differnt pieces. According to my itunes i enjoy Lots Wife a hell of alot more than Rose's Turn but thats cuz I dont have a recording of Patti yet. I think though one reason they cant be compared is that only one person has ever sang lot's wife. And i somehow believe its going to be like the for a long time. I Really cant pick between the two because i really like both songs but i really would like to hear more versions of Lot's Wife. I think one reason Rose's Turn is the standout among the musical theatre mental breakdown's is because besides the fact that its genius, so many great women have sang it.
<------ Me and my friends with patti Lupone at my friends afterparty for her concert with audra mcdonald during the summer of 2007.
"I am sorry but it is an unjust world and virtue is only triumphant in theatricle performances" The Mikado
I find it painful to listen to "Lot's Wife," not because of the lyrics, but because Tonya Pinkins' voice is cracking and going flat left and right. It hurts my ears to listen to it.
"Winning a Tony this year is like winning Best Attendance in third grade: no one will care but the winner and their mom."
-Kad
"I have also met him in person, and I find him to be quite funny actually. Arrogant and often misinformed, but still funny."
-bjh2114 (on Michael Riedel)
Lot's Wife is an imitation. A good one, but not better.
An imitation of what? It certainly is not an imitation of Rose's Turn. Other than being female 11 o'clock numbers, they share virtually nothing in common. Not style, content, emotion, character, or story.
Rose's Turn is a great number and a classic, but for me, it never came close to the chilling raw emotional devastation I feel when I hear Lot's Wife. Perhaps when I have heard 20-odd years of theatre queens, drag acts, and every Broadway diva performing the death out of Lot's Wife my opinion will change, but for now my vote is Lot's Wife.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian