A damn strong show last night. McKinnon as the Russian woman was the highlight for me. I'm also a fan of Fred Armisen's patronizing bitch girlfriend character.
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
~ Muhammad Ali
I have never seen one of that host's movies and man, did I have a visceral negative response to the very sight of him. I mean, like a lot of you guys did over that Beaver kid last week. Looking at him made me queasy. He looked like a live action version of those marionettes on The Thunderbirds. He just seemed to be such a needy performer. He made me think of Roberto Begnini the afternoon after an all-night coke binge. Also, he seemed to be reading phonetic cue cards. I thought he ruined every sketch he was in, including the Fred bitchy girlfriend one. I thought it fell completely flat. Even Djesus Uncrossed, the likes of which is usually right up my alley, annoyed me.
I did laugh through Weekend Update except the sports guy at the end. Russian woman was great. Rubio, perfection.
I will agree with you on one thing Namo, Hated Alabama Quakes! There was something amiss there, striving for an early 70's feel with a Joplin influence yet felt flat. Kept picturing an Earth Mama Muff with a happy trail originating from the nipples
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!
I find Inglorious Basterds more enjoyable than anything QT has ever done.
I know I'm a film major and all, but do I have to watch scenes from Pulp Fiction in almost every class? I'm going to stab my eyes out with pins next time I have to sit through that, just because the teacher thinks it's "amazaing".
I thought it was one of the stronger recent episodes.
Djesus Uncrossed was just beautifully offensive. Panties I am sure in one huge bunched-up wad after that short.
If your a NBA fan, the spoof of Stephen A. Smith was spot on (and since I follow the Lakers, it had my smirking). McKinnon is wonderful in just about everything she does. I also thought the Rubio bit was spot-on.
I just fast-forwarded through the music. I felt like I was watching a "something" version of Linda Perry.
I finally watched the episode on DVR. Loved pretty much everything about it, but I agree with Kad that Kate McKinnon stole the show.
I even liked Alabama Quakes (and I'm REALLY not the demo for SNL's musical guests unless they are gay AMERICAN IDOL runners-up)! It was as if Janis Joplin had mated with Mama Cass.
"DJesus Uncrossed" summed up everything I feel about Tarantino movies, except they aren't as funny.
The band's name is Alabama Shakes, for future (positive or negative) reference. They're not my favorite, but the record is enjoyable enough; good to listen to around the house when working.
I liked this episode; it was certainly better than recent weeks, but not a slam dunk. I've not seen any of Waltz's films, but I liked that he committed to the crazy things. Loved the Pope video. Really wasn't prepared to see Fred Armisen's junk so prominently displayed in the Regine sketch. (Can you ever be?) I wonder if the censors did anything with it on the West Coast. But seeing Vanessa Bayer break was hilarious, and it looked like Hader intentionally poured some of his drink on Armisen when he couldn't keep it together.
Hopefully we'll get some Stefon soon!
"I'll cut you, Tracee Beazer!!!!
...Just kidding. I'd never cut anyone." -Tina Maddigan, 9/30/06, WS stage door
Avatar: JULIE "EFFING" WHITE, 2007 TONY WINNER. Thank God.
I'm thinking about legally changing my name to Lizzie Curry...
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle