Composer-lyricist Dolly Parton's theatrical debut, "9 to 5: The Musical," qualifies as what folks call "a fun show": rarely any less, but at this point rarely more. Besides the audience's enormous affection for Parton in her mostly auspicious bow, "9 to 5" rides a swell of good will from the popular 1980 farce, though substituting a heavy hand (and considerable bad taste) for the movie's light heart. Judicious streamlining could determine whether this Gotham-bound celebration of workplace women breaks through the glass ceiling separating modest success from long-run hit.
Librettist Patricia Resnick slavishly follows her screenplay penned with the late Colin Higgins, as three put-upon corporate secretaries marshal their newfound sisterhood to rid Consolidated Industries of the ultimate sexist, egotistical, lying, hypocritical, bigoted boss (Marc Kudisch, all football-hero bravado) and his weaselly office spy (an amusingly milksoppy Kathy Fitzgerald).
MVP of both cabal and tuner is ultracompetent Violet Newstead, Lily Tomlin's signature role to which Allison Janney brings her "West Wing"-honed professionalism along with unexpected showbiz pizzazz. Show treats her like Lauren Bacall in politely disguising her song and dance limitations, and she responds with a powerhouse turn, imbuing every scene with exuberance and emotional availability.
http://www.variety.com/review/VE1117938452.html?categoryid=33&cs=1
Well I didn't want to get into it, but he's a Satanist.
Every full moon he sacrifices 4 puppies to the Dark Lord and smears their blood on his paino.
This should help you understand the score for Wicked a little bit more.
Tazber's: Reply to
Is Stephen Schwartz a Practicing Christian