AMAZING GRACE National Tour?!

Appears to be non-Equity. Smart to have it play at this "Bible Museum" as a sit-down though.

So happy the whole country gets to see this hot mess.

That is a Hell Schedule that just may kill those poor non-union performers - an unending cycle of show-bus-bed-show. And almost no days off.

The only thing worse than the schedule is the show.

Updated On: 10/24/17 at 02:59 PM

how is that even legal? The go nearly a full month with NO days off! You had better believe its non-union! Fools that do this.

I did a non-Equity tour once, and finding ways to sleep on the bus is an art form all by itself.

Are the producers of this self-presenting the show at some/many/nearly all of the theatres listed on the tour? (By self-presenting I mean renting the theatre outright rather than working with a local theatre or presenter.) In St Louis, (where most national tours play 2 weeks at the Fox Theatre) it is playing one night at the Peabody Opera House but isn't listed with the Peabody's own, limited Broadway season (1 or 2 nights of Elf, Kinky Boots, Buddy Holly Story, & Gentleman's Guide). It is actually scheduled the night after Gentleman's Guide is playing. All of this seems very strange.

That's hateful. I never thought there'd be a tour in which the company looks forward to playing Macon Georgia.

Those posters who are appalled by that schedule have obviously never done a non-eq tour. The last one I did (20+ years ago) was 6 months on the road with NO golden days (meaning no show/no travel), a couple 2-nighters, and I think one 1-week sit-down, but mostly what we called 'hit-and-run.' Often our bus would have to go directly to the theater for that night's show as there wasn't time to check in to a hotel (which they paid for). And yes, a few times due to long distances between cites we'd have to get on the bus immediately after the show and do an overnight drive. We did get a week off for Christmas, so there's that. But because of that I can still fall asleep in nearly any position.
Yeah, the schedule is horrifying, but it also paid 3-4x more than any other non-eq gig. I don't even want to know what we would have been paid for those conditions if it had been union.

EDIT: I'd also like to say that during that 6 months, only three actors called out- once each. We were young, tough, and did our damn jobs.

Updated On: 10/24/17 at 10:19 PM

According to the casting notice, $450 a week is what they’re being paid.

It sucks, but that's why the lead is literally right out of college. They don't know any better. Non-eq sucks but there will always be some talent willing to work for less!

Only if you suffer from insomnia and seek a cure.

Having worked in the past for booking agencies that represented several non-eq tours, I can tell you that schedules like these are not out of the ordinary, and nothing really can stop it. Producers often pressure their booking agents to secure as many engagements as possible per week in order to at least hit their weekly running costs through guarantee payments from each theatre, even if it means traveling 400+ miles by bus to another city overnight.

Many of these theatres are small venues that can only afford to pay small guarantees for a performance or two, which often accounts for why there are so many engagements. You will rarely see a smaller non-eq tour like this play longer than 3 or 4 nights in one city.

"I’ve toured with non-Eq shows in the past ... and I couldn’t understand how the actors did what they did."

It's called "being desperate to be an actor." And some of them enjoy it enormously.