Malinda5000 said: "Ain't Too Proud is a great musical with a great book and its a shame it only won for choreography (Although Highly deserved). Derrick Baskin and Ephraim Sykes were horribly snubbed at this years Boring Tony Awards. Musicals with a mostly all black cast almost always get a sh@&t load of nominations and go home with one or two or none. Jellys Last Jam 1992 … The Color Purple (OBC 2005) … Motown 2013.
Hadestown sucked in my opinion! I thought the show dragged on and confused me. Hopefully The Tina Turner Musical will bring about a change in 2020."
I think recent Best Musical revival winners Once on This Island, and The Color Purple, might contradict your argument. The former was up against stiff competition with both Carousel and My Fair Lady, with the latter being the presumed winner. Its win was honestly one of the biggest surprises in recent history, unlike other upsets like Kinky Boots winning over Matilda, or Avenue Q winning over Wicked, Once on this Island wasn't even the number 2 in the race, with My Fair Lady being the front runner and Carousel being the dark horse. The Color Purple won against 3 great revivals of Fiddler on The Roof, She Loves Me, and Spring Awakening. Also the fact that The Gershwin's Porgy and Bess won over the 2011 revival of Follies, when the former many consider a bastardized money grab of the original by the Gershwin estate.
Also have you heard of this little show called Hamilton? It won 11 Tony Awards just 3 years ago in 2016.
Ain't To Proud's problem isn't that its a show with a mostly black cast, its that its a jukebox musical. If you were saying that its more difficult for artists of color to get their work to Broadway, and when they do its only in jukebox or highly commercial musicals that awards voters don't take seriously, I would agree. The fact that in the past 5 seasons only 5 plays that opened on Broadway were written by a person of color. Of those 5, 1 was a revival (M.Butterfly), one was the last Broadway premiere premiere of a play from August Wilson's Pittsburgh Cycle (Jitney), one was the 4th one man show from prolific stage performer John Leguizamo (Latin History for Morons), leaving only 3 new plays by artists of color in the past 5 seasons (Straight White Men, Sweat, and Choir Boy). So if you want to make that argument that artists of color aren't winning because they aren't being given the chance, I'll bite, but Ain't To Proud is not the hill I'd die on.