"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
Thanks! I was almost positive that's what it was called, but then I wasn't sure, so I put the whole "Do you hear the people sing finale" thing down, to be on the semi-safe side.
After 30+ years and 1000+ shows, nothing I've ever seen compares to the "It's All Over/And I Am Telling You" Act I finale of DREAMGIRLS where the standing ovation started halfway through the song. Nothing else is even close.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
As already said: "Circle of Life" from TLK...what a thrilling and visually stunning moment in theatre!
"I'll Cover You" (reprise)-I saw RENT for the first time last March in NYC and this is where I simply lost it...the music, the lyrics, the raw emotion of the situation combined make for one of the most moving songs I've ever experienced personally in the theatre.
"What About Love" from TCP...props to having a situation which could be staged as tacky and tasteless and creating a beautiful moment for both Celie and Shug where everything seems to be laid out on the table...I got teary eyed here.
There are others but those are my top three.
Oh and honorable mention: Ana Gastyer as Elphaba, "No Good Deed"...there aren't words to describe how powerful this song was.
Idina's emergence from the wings in Wicked on January 9, 2005. Amazing energy in the entire room, and amid all the cheering, there was true silence and awe when she walked onstage. That's one of the greatest moments of live theater that I've witnessed.
I also second the bottle dance in Fiddler on the Roof...the intensity of the music and the dance just keeps building, it's great. Plus, it's one of those great moments in theater where the boys get to shine.
The kiss in POTO after Christine sings "God grant me courage to show you, you are not alone" in the Broadway production with Mark Jacoby as the Phantom. I swear I saw electricity coursing through his body during that kiss. It wasn't overplayed, it was rather subtle, but it has remained in my memory ever since. There are many shows with many memorable moments, but this stood out to me as something truly exceptional. I've seen POTO several times with other Phantoms and this was the only time that happened. Mark Jacoby was just amazing.
I'll expand on "Defying Gravity", just to stir the WICKED loathers.
I do agree that the visual and melody are extremely powerful but I think the context is truly chilling. If done by a convincing Elphaba *cough*Idina*cough*, the transformation from insecure girl to icon should be seamless and chilling. That lyric that sends it off "No Wizard that there is or was is ever gonna bring me down!" cues a blasting minor chord followed by the mob and Glinda's melancholy/bitter "I hope your happy". It's a chilling reminder of the choice she has made and foreshadowing of the events we, as the audience, know are to come. Still, Mr. Schwartz manages to resolve it to a triumphunt finale as Elphaba bravely flies on, in pursuit of what she believes. I think that is pretty heavy crap.
Ditto on Dolly's entrance.
I'll have to add "Cool" from WEST SIDE STORY. Jerome Robbins worked his dancers' asses off in this imfamously difficult and strainuous dance number. Even watching it on film, you're speechless. It's a terrific authorship.
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli
Of course! I'd also like to add to that all of the dance numbers- the Prologue, the Dance at the Gym, America the Rumble and Somewhere. The dances from West Side Story are some of the most breathtaking I've ever seen.
!!! The first shot at Gavroche in LES MIS. I can still hear all the casps.
Biff walks in on Willy and his lover in DEATH OF A SALESMAN.
The final tableau of THE KENTUCKY CYCLE.
The underwater/above water moments in THE DIVINERS (if timed correctly).
And I'll second the end of SWEENEY, from the time when Sweeney's realization of his wife occurs through 'til when Tobias first sings "Attend the tale"
"I am ready to disclaim my opinion, even of yesterday, even of 10 minutes ago, because all opinions are relative. One lives in a field of influences, one is influenced by everyone one meets, everything is an exchange of influences, all opinions are derivative. Once you deal a new deck of cards, you've got a new deck of cards."
— Peter Brook
Les Mis: Empty Chairs, Gavroche shot, Drink With Me Rent:I'll Cover You reprise, One Song Glory Aida: Sealed in the tomb scene... finale. Wicked: Defying Gravity, scene that first shows monkeys on fence wall Assassins: Unworthy of Your Love Miss Saigon: Kim's Nightmare (amazing, despite a lot of other weaknesses) Ave Q: Wish I Could Go Back to College.... (powerful and unexpected) Cabaret: Tomorrow Belongs... (movie too) Lion King: Opening scene, Endless Night Urinetown: Run Freedom Run Company: Ladies Who Lunch and Being Alive Ragtime: Wheels of a Dream Chitty: Cheese-fest, but the car's first flight kicked a**.
See What I Wanna See: Rising, Up and seeing the huge mascara smudges on Idina Menzel's face in R Shomon. Rent: Out Tonight, the excitement and movement is electric Wicked: Defying of course TLK: He lives in you Reprise Hairspray: Harver Fierstien's fat, nasty, steamy entrance
POTO- "You alone can make my song take flight. It's over now, the music of the night."
Les Miz- One Day More Lion King- Circle of Life The Producers- Springtime for Hitler Miss Saigon- Nightmare Death of a Salesmen- "Attention must be paid." Richard the III- "Now is the winter of our discontent..." Sweeney Todd-Epiphany 42nd Street- Curtain comes up to show the feet of the dancers. Hedda Gabler- The protagonist's death
Keep your morals, I don't have time. Keep your lovers, I'm changing mine!
-The Likes of Us
"If there was a Mount Rushmore for Broadway scores, "West Side Story" would be front and center. It snaps, it crackles it pops! It surges with a roar, its energy and sheer life undiminished by the years" - NYPost reviewer Elisabeth Vincentelli