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B'way songs in unusual time signatures — Page 2

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#26

re: B'way songs in unusual time signatures

*bump*


On the road of life, do not pause for suicidal chipmunks who freeze in your headlights, seeking death by your tires...
#27

re: B'way songs in unusual time signatures

I believe it switches between 5/8 and 4/8. I musically directed some of Sweeney including this part and it was one of the hardest things to teach/play/sing. The whistling section is also very difficult as it changes from 5 to 4 and back again.

~Steven
#30

re: B'way songs in unusual time signatures

'move (youre steppin on my heart)'from DREAMGIRLS has a funny thing it does, very awkward jumps from 2/4 to 4/4 very quickly and strangely.
"Girl, this cupcake is the jumpoff"- Adriane Lenox
#32

re: B'way songs in unusual time signatures

I was going to say Shmuel Song but someone beat me to it, but it basically switches between 4/4 and 7/8 over and over again. A lot of JRB stuff is pretty weird, I'd Give It All For You is in 6/4.
#33

re: B'way songs in unusual time signatures

Stranger to the Rain is in a pretty crazy time signature.

The other one that I knew off the top of my head is Everything's All Right, but that's been mentioned re: B'way songs in unusual time signatures

"Peace! The charm's wound up." --Macbeth

Updated On: 6/7/06 at 11:23 PM

#35

re: B'way songs in unusual time signatures

Ladies In Their Sensitivities alternates in a shifting pattern of 4/8 and 5/8 and contains one measure of 6/8 before the last line.






Igor Stravinsky
Paris, France
#36

re: B'way songs in unusual time signatures

ALW Loves 7/8
Mungojerry and Rumpleteezer, The Money Kept Rolling In(and Out), Lost Souls, Lets have Lunch, Heaven on their minds
Keep your morals, I don't have time. Keep your lovers, I'm changing mine! -The Likes of Us
#37

re: B'way songs in unusual time signatures

Thanks to those who answered my Sweeney question!
On the road of life, do not pause for suicidal chipmunks who freeze in your headlights, seeking death by your tires...
#38

re: B'way songs in unusual time signatures

I didn't see it elsewhere on this list when I browsed through. Couldn't Be Happier from Wicked switches between 6/8, 5/8, 2/4, and 4/4.
#39

re: B'way songs in unusual time signatures

All the Wasted Time from Parade is in 6/4, but it feels more like it's in two.
"The only way we live beyond our lives is to connect and carve ourselves into the souls of those we love." -Little Fish
#40

re: B'way songs in unusual time signatures

Bumping a really old thread here!

SxyMiatch states above that the time sig for "Thank Goodness" switches between 6/8, 5/8, 2/4, and 4/4. Can anyone confirm that these are the correct time sigs? And if yes, is there a specific pattern to the changes?

Thanks much!
On the road of life, do not pause for suicidal chipmunks who freeze in your headlights, seeking death by your tires...
#41

re: B'way songs in unusual time signatures

"America" is actually a simple switching between 6/8 and 3/4 thus creating a false hemiola, or a sense of 2 against 3. It is not in a complex meter.

"I like to be in a" functions as 2 beats in 6/8 while "mer-i-ca" is three in 3/4.

So really, it's just Bernstein being crazy and brilliant that makes this music sound more complicated than it is.

(edited for incorrect word - compound as apposed to complex)

Updated On: 7/1/08 at 02:38 PM

#42

re: B'way songs in unusual time signatures

You can think of America as being in 6/8 - broken up as:

ONE and two AND three and
FOUR FIVE SIX

"Everything's Alright" from JCSuperstar is in 5/4.


Updated On: 7/1/08 at 07:39 PM

#43

re: B'way songs in unusual time signatures

I would think I Read from Passion might count?
"This ocean runs more dark and deep than you may think you know...I'll be the fear of the fire at sea." -Marie Christine
#45

re: B'way songs in unusual time signatures

In Rainbow High from Evita the time signiture starts out at 3/4 then it changes, a lot 6/8 to 9/8 to 6/8 to 9/8 to 6/8 to 3/8 to 9/8 to 6/8 to 12/8 to 4/4.

Eva beware of the city has a section of 5/8

I'd Be Suprisingly good for you has 5/4 and 6/4

If the score wasn't hard enough now Andrew Lloyd Webber used time signitures that no one even knew existed.
#48

re: B'way songs in unusual time signatures

Eva beware of the city has a section of 5/8

Yes, of course, who could forget "I want to BE A part of B.A., Buenos iAI-RES, big apple!"

And of course, another addition: SUPERBOY AND THE INVISIBLE GIRL from "Next to Normal" is in 11/8.

Or to make it simpler: 3 + 3 + 3 + 2.
"How could she just suddenly, completely disappear into thin water?" - The Little Mermaid
#49

re: B'way songs in unusual time signatures

"Jerry Likes My Corn" has some sections in 7/4.
"You mean what was the best picture of the year or what did they pick as the best picture of the year?" - California Suite
#50

re: B'way songs in unusual time signatures

"And of course, another addition: SUPERBOY AND THE INVISIBLE GIRL from "Next to Normal" is in 11/8. "
Actually, I believe it's written as 6/8 followed by 5/8. When I watched the "music video" for Superboy and the Invisible Girl, I saw it on the sheet music.

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