*bump*
I believe it switches between 5/8 and 4/8. I musically directed some of Sweeney including this part and it was one of the hardest things to teach/play/sing. The whistling section is also very difficult as it changes from 5 to 4 and back again.
~Steven
a measure of music in titanic is in 1/4. ALot of other songs are in 9/8
Lost Souls in Woman in White is 7/8 , I think.
'move (youre steppin on my heart)'from DREAMGIRLS has a funny thing it does, very awkward jumps from 2/4 to 4/4 very quickly and strangely.
"Now I've Seen You" -- Honk ... In 12/6 if I remember correctly.
I was going to say Shmuel Song but someone beat me to it, but it basically switches between 4/4 and 7/8 over and over again. A lot of JRB stuff is pretty weird, I'd Give It All For You is in 6/4.
Stranger to the Rain is in a pretty crazy time signature.
The other one that I knew off the top of my head is Everything's All Right, but that's been mentioned
Hm, a time signature of 12/6 is not possible. 12/8 perhaps?
~Steven
Broadway Legend Joined: 6/27/05
Ladies In Their Sensitivities alternates in a shifting pattern of 4/8 and 5/8 and contains one measure of 6/8 before the last line.
Igor Stravinsky
Paris, France
ALW Loves 7/8
Mungojerry and Rumpleteezer, The Money Kept Rolling In(and Out), Lost Souls, Lets have Lunch, Heaven on their minds
Thanks to those who answered my Sweeney question!
Swing Joined: 6/3/05
I didn't see it elsewhere on this list when I browsed through. Couldn't Be Happier from Wicked switches between 6/8, 5/8, 2/4, and 4/4.
All the Wasted Time from Parade is in 6/4, but it feels more like it's in two.
Bumping a really old thread here!
SxyMiatch states above that the time sig for "Thank Goodness" switches between 6/8, 5/8, 2/4, and 4/4. Can anyone confirm that these are the correct time sigs? And if yes, is there a specific pattern to the changes?
Thanks much!
Featured Actor Joined: 3/4/08
"America" is actually a simple switching between 6/8 and 3/4 thus creating a false hemiola, or a sense of 2 against 3. It is not in a complex meter.
"I like to be in a" functions as 2 beats in 6/8 while "mer-i-ca" is three in 3/4.
So really, it's just Bernstein being crazy and brilliant that makes this music sound more complicated than it is.
(edited for incorrect word - compound as apposed to complex)
Updated On: 7/1/08 at 02:38 PM
Broadway Legend Joined: 2/20/04
You can think of America as being in 6/8 - broken up as:
ONE and two AND three and
FOUR FIVE SIX
"Everything's Alright" from JCSuperstar is in 5/4.
Updated On: 7/1/08 at 07:39 PM
I would think I Read from Passion might count?
The Five Fifteen from Grey Gardens is in 7/8, I think.
Swing Joined: 6/9/08
In Rainbow High from Evita the time signiture starts out at 3/4 then it changes, a lot 6/8 to 9/8 to 6/8 to 9/8 to 6/8 to 3/8 to 9/8 to 6/8 to 12/8 to 4/4.
Eva beware of the city has a section of 5/8
I'd Be Suprisingly good for you has 5/4 and 6/4
If the score wasn't hard enough now Andrew Lloyd Webber used time signitures that no one even knew existed.
I don't even know what the hell's going on in Molasses to Rum.
Understudy Joined: 4/18/08
WICKED seems like it has some odd ones
Broadway Legend Joined: 2/17/06
Eva beware of the city has a section of 5/8
Yes, of course, who could forget "I want to BE A part of B.A., Buenos iAI-RES, big apple!"
And of course, another addition: SUPERBOY AND THE INVISIBLE GIRL from "Next to Normal" is in 11/8.
Or to make it simpler: 3 + 3 + 3 + 2.
"Jerry Likes My Corn" has some sections in 7/4.
"And of course, another addition: SUPERBOY AND THE INVISIBLE GIRL from "Next to Normal" is in 11/8. "
Actually, I believe it's written as 6/8 followed by 5/8. When I watched the "music video" for Superboy and the Invisible Girl, I saw it on the sheet music.
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